Anime Lists

        Well, the decade of the 2000’s have left us and now it’s time to reflect on the anime series and films that given us so much enjoyment over these last ten years. So, in this first post I’ll be listing what I feel are my top ten anime films of the past decade. When I first started working on this list I thought it would be a pretty difficult process but the movie list turned out to be pretty easy because cream raises to the top and I feel the cream was pretty easy to spot.

#10     Card Captor Sakura Movie 2 (2000)

       For lovers of Cardcaptor Sakura, and the magic girl genre in general, there was no greater movie treat than the sealed card movie. This film featured top notch animation, a great story, good music, and the beloved cast from Cardcaptor Sakura. The cherry on top of this great cake is that Sakura is finally able to come to terms with, and communicate her true feelings for Syaoran. 


#9      Voices of a Distant Star (2002)

      A short 25 minute in length movie created, directed, produced, and animated entirely by Shinaki Makoto on his Macintosh computer. Makoto and his girlfriend also provided the voices for the two main characters. This small film is a beautiful meditation on love and how it’s affected by the time and the distance of separation caused by war.

       “We’re born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we’re not alone.” Orson Welles


#8        5cm per Second (2007)

      This film by Shinaki Makoto is a must see for anyone who loves a good romance or drama, it has it all, great animation, great story, and great dialogue. This film demonstrates more quality in its 90 minutes than other anime do in 100 episodes.

       This film is another meditation on first loves, distance and separation, and features the relationship between Takaki and Akira featuring the concept of mono no aware, which is often translated to mean the Ah-ness of things, or the sadness of all things. Meaning that Takaki and Akari love is extremely sweet, and sad at the same time, just like the cherry blossoms, while beautiful and awe inspiring, they only last a short time. Short but sweet, with just a little taste of bitterness and pain, just like teenage love, while that love may not be the one to last a lifetime, you’ll always remember it.


#7        The Place Promised in Our Early Days (2004)

       Another Shinaki Makoto film set in an alternate reality Japan where the country is divided with the south being protected by the United Sates and the northern part being controlled by the Soviet Union, and features the relationship and childhood promises made between childhood friends Takuya and Hiroki, and a girl named Sayuri. After Sayuri disappears each boy takes a different path, but years later each boy must come to terms with their loyalties and decide whether or not they need to honor a promise they made to Sayuri years ago.


#6       Cowboy Bebop, the movie (2001)

       As a great lover of the Cowboy Bebop series, this film was just like a Cowboy Bebop episode with the exception that it was bigger, better, and more bad assed than even, enough said.


#5       Metropolis, the Movie (2001)

       Metropolis is an anime based on Osamu Tezuka’s manga with influences from the German film of the same name.  This film was directed by Rintaro, with Akira’s creator Katsuhiro Otomo doing the script writing. This film is a great work of creative art and has some of the best animation I’ve ever seen, and is a must see for any fan of film.


 #4      The Girl Who Leapt Through Time (2006)

       This film is a very touching human tale of friendship, love, and learning to grow up. The film is also a cautionary about the lure of changing the future, and all the unintended consequences that those decisions entail.


#3        Tokyo Godfathers (2003)

       The plot of Tokyo Godfathers revolves around three homeless people finding a newborn baby in the trash on Christmas Eve and their quest to find the baby’s parents. Throughout the trio’s quest to return the baby to its parents we come to learn about each of the homeless person’s background. This film is a tale of miscommunications, regrets, and ultimately, a tale of the search individual redemption.


#2       Millennium Actress (2001)

        A film within a film, Millennium Actress is the story of a film director named Genya working on docutmary film about a famous aging actress named Chiyoko. While interviewing Chiyoko, the director slowly gets Chiyoko to reveal her life story to the audience, and that story is told in the form of flashbacks using famous moments of Japanese history and filmmaking. This movie is for those who love storytelling at its finest, compare to Cinema Paradiso.


 #1     Spirited Away (2001)

       Spirited Away begins with the simple premise of a ten year old socially withdrawn girl named Chihiro getting sucked into an Alice in Wonderland type of adventure in an attempt to save her parents and regain her identity, and takes us on an adventure of visual and emotional wonder. Many, including me consider this film to be Hayao Miyazaki’s masterwork, while many non-Japanese enjoy and appreciate anime, this film made many people not familiar with the art form stop and take notice. All, I can say is that if you haven’t seen Spirited Away then you haven’t seen anime.

       If you think I’m over stating Spirited Away’s  impact or power, here’s a list of where respected critics and magazines have placed Spirited Away in their best films of the decade lists (these lists include all films, not just animated features).

#8 Spirited Away (Film School Rejects)

#21 Spirited Away (Film Comment)

#22 Spirited Away (Cinematical)

#4 Spirited Away (The Hurst Review)

#3 Spirited Away (Jeff Meyers, editor Metromode)

#2 Spirited Away (Vanity Fair)

Borrowed from the Vanity Fair review.

        “You may have a noticed surprising absence of Pixar work on this list despite the fact that no company has made more money, impressed more critics, and pleased more audiences than the bastard love child of Steve Jobs and John Lasseter. True, each Pixar film is a gem in its own right, and it’s widely rumored that the devil has gross points on Lasseter’s soul. However, if you’re talking animation with an unparalleled power to provoke pure wonder and wide-eyed enchantment, even Lasseter would gladly bow down to Hayao Miyazaki. Watching this film is not only to feel like a child again, it’s to dream like a child again.”

       Well, as the clock struck midnight and the ball dropped in Times Square we said goodbye to 2009 and welcomed in 2010. Whether you celebrated the changing of the years with a singing of Auld Lang Syne or stood outside a Buddhist temple and listened to the bells toll 108 times, purifying the sins of mankind, this is a time for reflection and contemplation. So, in keeping with the theme of reflection and contemplation I’m posting my top 10 anime of 2009 list along with giving a shout out to other favorites of mine. This year I’ve done something a little different by separating movies from the anime series because I don’t think it’s really a fair fight when you consider that a 90 minute movie could have 5x-10x the budget of a 26 episode series.

      Before I get to my top 10anime of 2009 list I’d like to give a shout out to the anime that didn’t make the top 10 but I feel still deserve to get some praise. So, in no particular order, here’s the best of the rest; Cross Game, White Album II, Railgun, Eden of the East, Rideback, Guin Saga, Skip Beat, Spice & Wolf II, Ristorante Paradiso, and Casshern Sins.

Best Movies of 2009.*

#1 Ponyo

       Hey, what can I say other than I’m a sucker for the Miyazaki magic, and this film hit all the right notes. While watching this film I felt like I was a little kid again, and wanted to surf on those waves like Ponyo.

#2 The Sky Crawlers

#3 Eve no Jiken

*note, I would like to place Summer Wars on this list but I can’t properly evaluate the film until I get to see a version that doesn’t have shitty visuals, sound, and subtitles.

Most interesting characters & villains M/F

       My most interesting female character and female villain is Beatrice from Umineko no Naka Koro ni. Beatrice’s malice and evil behavior was spectacular, and her behavior left me wanting to know a lot more about her.

       My most interesting male character of 2009 was Yozo from the no longer human arc of the Aoi Bungaku anime series. If Yozo was a real life human I could have made a college career out doing physiological studies of him.

       My most interesting male villain of 2009 is Touya from the White Album II series. While Touya might not be a villain in the traditional sense, Touya has to be one of the worst boyfriends in anime history. But, I have to give Touya props because he does something that few male harem leads ever do, he actually dips his wick in the love holes of several of the female harem members.

Best fan service of 2009

Well, I feel that the Kiss x Sis OAV episodes wins the fan service award hands down or maybe hands up, these OAVs are only a small step removed from a full blow hentai anime.

Now, my top 10 anime of 2009.

#10 K-On!

        Call K-On! a moe series, or call K-On! a waste of time, but I just loved watching this series. I really don’t care if the series was just cute girls doing cute things because I loved every minute of the series, and I’m overjoyed that it’s getting a second season.

#9 Umi Monogatari ~Anata ga Ite Kureta Koto~ (Sea Story)

       One of the best magic girl series that I’ve seen in a couple of years, Sea Story was a tale about growing up and learning to accept all the scary emotions that come along with being an adult. Kanon’s fear of being rejected, Marin’s fear of the darkness, and Urin’s fear of loneliness, we shouldn’t hide these emotions; we need to share them with others who care for us, and forgive the weakness inside our hearts.

#8 Umineko no Naku Koro ni

       I feel that this was the best mystery/suspense anime series of the year. I loved watching Battler’s and Beatrice’s contest of wills, and the series kept me in suspense for its entire run.

#7 Bakemonogatari

       I felt that Bakemonogatari had the freshest take on the harem genre I’ve seen in some time, plus Bakemonogatari was blessed with great writing, good direction, unique visuals, and an interesting main couple.

#6 Aoi Hana

       I feel that this was a very rewarding and enjoyable romance with all the feelings portrayed in an understated but powerful manner, and this series never went into the over-the-top mode like so many other anime. Aoi Hana was a tremendous series, enjoyable, believable, loaded with powerful feelings and emotions, a must watch for fans of the yuri romance genre.

#5 Tokyo Magnitude 8.0

       Tokyo Magnitude 8.0 is a basically the story of three characters sharing a journey through a Tokyo devastated by a major earthquake with its streets filled with the presence of death and loss. When Mirai, Yuuki, and Mari began their journey together their first priority was one of survival and gradually their end goal became one of wanting to return home and reunite with their families. While TM 8.0 featured three main characters the true focus of the series was Mirai’s painful journey to emotional maturity.

#4 Aoi Bungaku

        With only twelve episodes to tell six complete stories you would think that this series would feel rushed or too compressed, but Madhouse struck anime gold. Each story arc featured a different directorial and animation style, and while the styles changed the quality always stayed top notch.  For the fans of quality anime storytelling, Aoi Bungaku is about as good as it gets.

#3 Toradora!

       While Toradora! has its faults, and has many of the tropes common for an anime of this genre those deficiencies are more than outweighed by its endearing characters, and well written story. I laughed, I cried, and I rooted for Ryuuji and Taiga to find happiness and felt quite contented with how the series ended. In short, Toradora! was one of the best high school romantic comedies I’ve watched in the past few years.

#2 Michiko to Hatchin

        This series contained everything that I love in an anime, great action, quality animation, great characters, good storyline, and a very good soundtrack. Michiko to Hatchin is basically one long road trip with Michiko and Hana being chased by the cops while searching for the elusive Hiroshi, and at the end of the journey we find that the excitement of the trip was better than the satisfaction of reaching the goal. From the very first episode until the final episode, I loved every damn minute of this series.

#1 Clannad ~After Story~

       I’m must be one of the biggest Clannad/Clannad ~AS~ supporters out there, and I’ve written tens of thousands of words praising this series, so I’ll keep this short and sweet. Clannad & Clannad ~AS~ are a combination of myth and fairy tale mixed with a large dose of the trials and tribulations of reality. But, Clannad/Clannad ~AS~ really is a story of journeys and cycles; the journey from the silly and carefree days of teenager-hood to mature adulthood with all its implied responsibilities and rewards, and it’s a story about the cycle of life where we need love and guidance to survive then we have to pay that back by loving and cherishing our children to continue the cycle of life.

      While most anime of this type end at high school graduation, or end with the confession of love, Clannad ~AS~ shows us what happens after those carefree days are over. We watch Nagisa and Tomoya get married and live together as husband and wife, we follow them as they struggle to balance work and love, and we watch them become loving parents completing their epic journey from childhood to a fulfilled adult life.

For my 12th and final post in my “12 moments in anime 2009” series I’m choosing Clannad’s (both seasons) triumph of storytelling. Much of the following text has been excerpted from my loved filled reviews of both series, so I you like what I have to say go back and read my old reviews.

“Tell Them Stories”

      I have chosen to title this article/post “Tell Them Stories“, using a quote from Philip Pullman’s book The Amber Spyglass, the third book from the His Dark Materials book series. It comes at a point in the book where Mary Malone (one of the main characters) needs to impart important knowledge on to the adolescents, Will and Lyra. Mary needs to impart this knowledge upon Will and Lyra to facilitate an important awakening within them. Mary struggles with how to do this, does she preach to them like a Sunday school teacher, or does try to teach them like a public school teacher? No, while walking around, Mary sees uncountable ghosts exiting the land of the dead and they implore her to “Tell Them Stories, Tell Them True Stories“. Upon hearing this, her course of action is set, she’ll use what humankind has used for most of it’s short history to impart shared cultural values, “Storytelling”.

      Since the beginning of human history, from our earliest days when we were gathered around a fire inside a cave, we told stories, and the record of those stories were recorded for future generations on the charcoal drawings still found on the walls of those caves. The tradition of storytelling has always been used throughout human history to pass down shared cultural values, ask us important moral questions, teach and enlighten us, make us laugh or make us cry, strengthen us or occasionally frighten us, entertain us or sometimes bore us, but most importantly, storytelling bonds us together in shared emotions and experiences.

I think that the following discussion of storytelling by Philip Pullman has it exactly right, I only wished I was brilliant enough to pen these words.

      “The sharing of stories takes time, but it is worth the wait, worth the meandering, worth the stuttering and stumbling and the struggle to find the right words. Thou shalt not is soon forgotten, but once upon a time lasts forever.”

       Many of the greatest tales or stories begin with “once upon a time”, or ”a long ago”, or “once there was”, or “mukashi mukashi”, but no matter how they begin they take us on a journey to another place and time where we can lose ourselves, if only for a moment, in the trials and tribulations of the characters. We laugh, we cry, we feel exaltation as we follow the characters down their long paths, and in the end, maybe we learn something about ourselves along the way.

      To me Clannd’s story began with the simple question of ”do you like this school?”  and we follow Nagisa’s and Tomoya’s journey as they begin their long climb up the hill to school and to an adult life until they reach “the place where wishes come true”. Since I’ve always considered Clannad a fairytale it’s fitting the the story wraps up with Tomoya telling his daughter a story under a shade tree, once upon a time. The tale of Clannad is a tale of human magic where acts of kindness, mercy, and love have redemptive and transformative powers. But, to me, Clannad’s greatest gift has been the emotional escapism almost every episode provided me, I laughed, I cryed, I felt the sadness and pain as Tomoya and Nagisa walked their long hard path to the future, and felt utterly contented when “they lived happily ever after”.

 Below are a few portions of some of my previous reviews written about certain aspects of Clannad such as, storytelling and human magic, the power of love and kindness, and emotional escapism.

From my review of Clannad episode 1 (storytelling and human magic).

        Now to the storytelling aspects of Clannad, Key’s  greatest asset has always been it’s ability to weave together a great plot that knows how to pull at the viewer’s heartstrings, and I feel that Clannad  is going down the right path. Like past Key projects Clannad  deals with the impressions of how time should flow, and how it must flow forward. In AIR and Kanon  time does not flow properly, the characters are suffocated and stifled by the past, caught and held in a limbo like muted world until they are able to deal with the past and move forward. In the anime Voices of a distant Star,  and The Promised Place of our Earlier Days  the main characters are haunted by the desire to recapture the feelings and the motivations of youth, reaching back for what is past and can never really be recaptured. The Key stories are about wanting to move forward and living life like it should be lived, we must grow, progress, mature, love, and change (hopefully for the better).

      I also like how Key  includes elements of dreams and magic in to their stories, most of the time it’s small magic, not magic on the grand scale of shows like Scrapped Princess and so forth. Key’s  magic is small scale but powerful, a human magic brought forth by human actions and acts of kindness, compassion, friendship, caring and love.

From my review of Clannad episode 10 (emotional escapism).

       The world of Clannad is the perfect male fantasy world, a world where all the girls are cute with almost all of these girls being kind and gentle, a world where even the most hard edged and gruff girls really harbor a heart of gold. This is a world where all the sweetest and cutest girls don’t have boyfriends and are just waiting for a normal guy to come along and touch their souls, this is emotional escapism at the purest level, a world where gentle and lonely souls flutter around each other like moths around a flame until they finally meet creating the perfect emotional connection. Clannad is also a world where even a girl laying in a coma longings for connection, human contact, and love is so great it can cross the boundaries of human consciousness to touch the lives of others. This is emotional escapism of the highest level, and I’m buying into it.

From my review of Clannad episode 14 (the power of love and friendship).

      In the Clannad universe, love, compassion and friendship are the greatest powers in the world, these powers can transcend the boundaries of space, time, and reality to effect all those coming in contact with it. Also in this world the power of love also increases with each person it touches, as it touches one person it gathers strength and  intensity before moving on to touch the next person. But one thing I’ve always liked about the other Key titles including this series is that they always stress that’s it’s always better to move on, to move forward, to move towards the future, staying in the past leads to stagnation and nothingness.

From my review of episode 21 (A child’s understanding and adult decisions)

      Nagisa is a pure girl, trusting, caring, and loving, she has shown many times in the series that she places more value in the happiness of others than in herself, but Nagisa has also shown that in some respects that she can be a little slow in some aspects, so when she read her parents’ diaries she only really picked up on the parts that confirmed her darkest fears, that her parents had to give up their dreams because of her, she chose to ignore parts where her mother wrote that she would have never traded these times with her child for anything. In this respect Nagisa shows that she still has a child’s understanding of the situation, and this is made worse by her parents evasiveness.

      In a great deal of anime one of the most popular reoccurring themes in their plots are the famous “go for your dreams or bust plot line”, I find a lot of these stories to be very exciting and uplifting because it brings back memories of youth, when all things were possible, I could be President, a rock star, a billionaire, the sky was the limit, but there comes a point where a child’s dreams and a child’s understanding of life collides with adult decisions. Nagisa’s parents made an adult decision after they nearly lost their daughter over a lapse in judgement brought on by a selfish moment, after the near loss of their daughter they decided to place her care above their personal wishes and goals, they reached a point in their lives when they realized where their greater responsibility lay, their daughter.

     Nagisa still being a child thinks that it was a either or choice, her parents dreams or caring for her, she feels that they chose her over their personal happiness and that they might/probably are unhappy now. What Nagisa doesn’t realize, and it was her parents responsibility to teach her, is that a decision like this is a false choice it’s not a zero sum game. They made an adult choice and failed to properly communicate their feelings about this to their daughter, her father could have told her something like, I love you more than anything in this world and I wouldn’t trade this life I have now for all the money or fame in the world. They should have/could have told her that as adults we have sometimes acquire greater responsibilities than following a dream, and one of those responsibilities is caring for the most important thing in our lives, our children. And as Nagisa’s father has probably realized, and the Rolling Stones put voice to in their song “You Can’t always Get What You Want

You can’t always get what you want,
But if you try sometime, yeah,
You just might find you get what you need

     Neither Nagisa’s father or mother seems to be unhappy with their current lives, while she might not be a teacher, and he might no longer be an actor, they both have a loving spouse and a loving daughter, after all sometimes the dreams of youth give way to the satisfaction of a fulfilled adult life.

From my review of Clannad ~After Story~ episode 21 (the helplessness of a mortal man and tomoya’s moment of magical thinking)

       For me what really stood out about this episode was Tomoya’s strength of character. After receiving the “fatal” news about Ushio’s illness Tomoya showed only one moment of weakness, and Akio quickly set him straight. A man has to be strong until the very end for the ones they love, and a man has to protect the ones they love to the best of their abilities.

      Any father would give anything, even their own life to protect their loved ones, but Tomoya faced the worse possible situation. Tomoya faced a enemy he had no chance of defeating, if you saw a car getting ready to run over your child you could push her put of the way sacrificing yourself, or you can step in front of a bullet for your child, but Tomoya’s enemy was far worse. Call it a curse, call it fate, or call it destiny, but in the end, it was a no win situation.

       I feel that Tomoya quickly realized that Ushio was going to die, and if he tried to fight, it would be like he was battling God. So, Tomoya decided to submit to fate and wrap Ushio in the a protective layer of love and kindness. While Tomoya’s heart was being ripped out his chest he only showed Ushio a gentle smile and a calming voice. In the end, Tomoya was able to grant one of Ushio’s wishes, he gave her the trip with daddy that she wanted, and he did the best that a mortal man could do. Well done Tomoya, I’m sure Nagisa and Akio would be proud.

       But there’s a limit to how much suffering and pain any one person can take before it overwhelms them, and with Ushio’s death I think Tomoya’s reached his limit. At the end of the episode Tomoya again asks himself if it would have been better if he and Nagisa had never met? Tomoya slipped into what I call “magical thinking”, this best described in Joan Didion’s book “The Year of Magical Thinking” (great book, if your haven’t read it, do so). In the book, the author experiences such overwhelming grief and loss over the death of her husband that she begins to obsess about if I did this, or if I did that, could I have changed to outcome? The question that Tomoya has answer for himself  is did his love for Nagisa and Ushio mean more to him than their loss? If he’s chooses the path of stagnation will that bring him anymore joy in the long run? If Tomoya chooses the path of love and loss will there any salvation or mercy for him and his family? I don’t know, but I feel that the old saying  ”it’s better to have loved and lost then never to have loved at all” will hold true, or I pray it will.

From my review of Clannad ~After Story~ episode 22 (the place where wishes come true)

The moment of possibilities, and the place where dreams come true.

       It seems that after Ushio’s death, the world held it’s breath, and Tomoya temporarily existed in both the real and the dream world, he had sort of reached his Omega point. We discover that the girl from the dream world is his daughter Ushio, and she probably came into existence the moment Tomoya and Nagisa first spoke. When Ushio admits that she’s also a orb of light (an expression of happiness) it all fell into place for me, Ushio was Nagisa’s orb of light, her happiness, her expression of life, and her fondest desire.

     When Tomoya first met Nagisa she stood rooted at the bottom of the school hill, she loved the town and school but she wished for change, she wanted to move forward, make friends, progress, but she was filled with the fear that nothing would change. So, when Tomoya spoke to her it was her fondest desire, time began to flow, nothing can stay the same forever, Nagisa began her path to happiness creating the dream of Ushio in the process.

       I feel that Nagisa’s and Ushio’s relationship with the city was very different from Tomoya’s and the other city dwellers, when Akio begged for Nagisa’s salvation the land and the city granted his wish, but at a great price. Nagisa, and her daughter were linked to the rhythms and emotions of the city, while this might not seem like a big deal, it was, Nagisa and Ushio are after all only made of mortal flesh. Everything requires balance, when Nagisa was saved without Akio using a orb of light, something had to be payed back in order to balance the equation, did Nagisa and Tomoya create enough happiness (orbs of lights) to pay the city back, or as the Beatles put it,  “And in the end, the love you take, is equal to the love you make” 

     When Tomoya shouted that he didn’t want this to happened, and for Nagisa to save Ushio, he actually held an orb of light in his arms (a dying orb) and Ushio reacted to Tomoya’s cry. When Tomoya fully enters the dream world he reached the point where all things are possible (the Omega Point) with the right choices. Because Ushio died in the real world and Tomoya is thinking about not speaking to Nagisa at the bottom of the hill Ushio’s ability to maintain her existence and the existence of the dream world was fading, and the only thing she could do to help Tomoya was to confirm that his and Nagisa’s love did mean something and was worth cherishing.

      So, if Tomoya chooses to let Nagisa walk back home alone there would have been no Ushio, no dream world, no multiple orbs of light, Nagisa would have still died in the future, and Tomoya would have continued to live in his mono-colored world of misery. But, because Tomoya confirms his unconditional for Nagisa and finally throws away his doubts, the world let out it’s breath. In Omega Point theory the universe is considered to be a computer and all it’s living creatures are information inside the system, and when you reach the maximum informational and computational  capacity, all things are possible, life and death, reality and fantasy become meaningless. So, once Tomoya reaffirmed his love for Nagisa he ensured the creation of Nagisa’s orb (Ushio) and all the other orbs and he was able to hit the cosmic reset button, Nagisa lives and she and Ushio’s illness are wiped out.

       If you think that this is too far fetched, just consider the possibility that all of Tomoya’s pain and suffering from the moment of Nagisa’s death only occurred in his mind, in a dream, he just lived through all that possible pain in an instant. His wish might have been granted the very instant when he held Nagisa hand and thought she was dead, Nagisa lives and Tomoya’s vision of a horrible future fades like when you awaken from a terrible nightmare to find yourself safe under your covers.

       In the end, I feel those who judge Clannad harshly because of its ending are looking at the series with the wrong set of eyes. We have two ways at looking at things, the first way to view something is through the eyes of logic and science, and the second way of looking at something is to look at it through the eyes of our hearts. Clannad is a show that must be viewed through the lens of our hearts, after all, is it anymore illogical to have Clannad end the way it did than it is to accept that you can find a giant robot buried in the ground, or that people can possess other strange powers?

For my 11th post in the “12 moments of anime 2009” series I’m choosing the Toradora! anime series.

      I have to admit that when this series first came out last October, I thought to myself  “not another high school romantic  comedy”, so I filed away the episodes on my hard drive. Then in February I had some extra time on my hands and started watching Toradora!, and after five or six episodes I realised what a mistake I had made.

      So, I power watched those back episodes and fell in love with the series. While Toradora! has its faults and has many of the tropes common for an anime of the genre those deficiencies are more than outweighed by its endearing characters, and well written story. I laughed, I cried, and I rooted for Ryuuji and Taiga to find happiness and felt quite contented with how the series ended. In short, Toradora! was one of the best high school romantic comedies I’ve watched in the past few years, two thumbs up.

For my 10th entry in my “12 moments in anime 2009” I’m choosing the philandering ways of Touya from the White Album series.


       In the harem themed anime of the past such as Ranma ½ and Tenchi Muyo the guy at the center of the harem had many redeeming qualities that would lead the girls surrounding him to want his DNA. The harem leads from the past weren’t pathic punching bags for all the tsundere chicks in his harem like Keitaro was from Love Hina, and I could no more picture either Tenchi or Ranma getting slapped around by all the women in their lives as I could ever picture myself putting up with any of my former girlfriends/lovers slapping me around to show me that they love me.


      So, what the hell happened to the harem genre and their males leads over the intervening years? Well, my personal theory is that in the past, anime in general was targeted and viewed by a larger general audience, and those shows made back their production costs, and then some, by being popular enough to actually make money off of commercial advertising. So, as television audiences and anime audience’s numbers began to slip the production companies had to reley on sales of VHS tapes and later DVD sales to make a profit. 

      This situation led to these types of anime being targeted towards the hardcore buyers of DVDs and away from trying to attract a large diverse audience. So, where we once had male leads of harem type anime where female viewers liked them and male viewers looked up to and aspired to be like them we’re now left with male leads who are avatars for lonely/sexually impotent male viewers who spend more money on anime then getting laid.


        Even in a harem anime such as Bakemonogatari where the male lead, Koyomi, is a pretty tough hard core guy and surrounded by attractive females who are available, he’s sexually impotent. Koyomi gropes Mayoi and both enjoys himself and loathes himself for the act but can go no further, he leers at Nadeko who’s attracted to him and available but does nothing, and even when he finally gets Hitagi as a girlfriend he practically had to get dragged kicking and screaming to their first date, she did all the work. Then we have other harem type anime such as Kiss X Sis, Kanokon, and Kiss on my Deity where the male leads practically have pussy shoved in their faces everyday and they’re so pitiful and impotent it’s no wonder why Japan has a negative/zero population growth problem judging by how these males react to women.

Loser #1

Loser #2

Loser #3


       So, all this ranting brings be to Touya from White Album, the hero of this post. While Touya may be many negative things such as; a very bad boyfriend to Yuki, a man-whore, a liar, an unreliable person, and a piece of shit, he’s certainly not impotent. When Touya gets that loving feeling he’s not contented with a little panty shot, he wants what’s underneath that thin piece of cotton, and he knows where his sausage belongs. Out of the six main girls in Touya’s harem he’s filled the love canal of three of the six girls (Yayoi, Misaki, and Haruka), and made out with two of the remaining three (Rina and Yuki).

Hit Yayoi many times.

Hit Misaki and left it.

Hit Haruka and left it.

Kissed Rina and wanted to hit it.

Yuki, the girlfriend, kissed her and been trying to hit it the whole series.

       So, in the spirit of the awards season Touya wins the erect penis award for knowing how a man should react to readily available lonely women. Yes, Touya’s shining example should be a guiding light to all males involved in harem situations: Yes, Keitaro you should have slammed every chick before settling on Nauru; Yes, Keita you should bang both Riko and Ako before picking one; Yes, Kouta you should have deflower both Chizuru and Nozomu; Yes, Yuuri you should really taste Mashiro and all the other girls around you; and Yes, Koyomi you should have acted first by picking a girl and doing something; you’re all losers compared to Touya.

All male harem leads please read the following advice.

For my ninth post in the “12 moments of anime 2009” series I’m choosing my experience seeing Ponyo at real movie theater.

        While I have seen thousands of episode of anime and over 100 hundred anime films seldom do I get to view anime films the way they’re meant to be seen, in a real movie theater. Over my long years of anime viewing I’ve seen anime films, and for the most part I’ve viewed these films at anime club, or watched these films from VHS tape or DVD at my house. While these viewing methods are great when it’s the only viable viewing method available a movie is really meant to be viewed and experienced on the big screen.

        Over the years, I’ve only had the good fortune to see a couple of anime films in full theater glory and I have to say that you can tell the difference between watching a film in the theater vs the best home movie equipment. So, this past August I had the pleasure watching Hayao Miyazaki’s Ponyo on the Cliff AKA Ponyo at a Digital Cinema movie theater.

        Seeing Ponyo in the theater reaffirmed just how good anime films can be when you watch them as they were intended to be seen, and made me wonder how much more I would had loved 5 Centimeters Per Second & The Place Promised in Our Early Days if I would have had a similar viewing experience.

OK, so far, I’ve chosen quite a few fun/silly topics for my “12 moments of anime 2009” posts, so it’s time to get serious with my eight post in the series by choosing to look at the banality of evil in Umi Monogatari ~Anata ga Ite Kureta Koto~ (Sea Story).

       In many anime where evil is involved the evil tends to be an outside force or creature that threatens our world that needs destroying, so train hard and destroy the threat, case closed. But, in the anime series Umi Monogatari ~Anata ga Ite Kureta Koto~ (Sea Story) the evil (Senda) is us; our fears, our weaknesses, our pain, our loneliness, our jealousies, our self-loathing, and our inability to accept, transcend, and forgiven our own flaws.


         If this had been a typical anime Sedna would have just been a evil creature that needed destroying, but in affect Sedna is the child of every islander who ever went to the little shrine and tossed their loneliness and sorrow into the sea. That’s why Marin felt the same pain from the eclipse when the heart of darkness attacked her, in the previous episode Marin tossed her sorrow into the sea and now it’s returning home to roost. Kanon now understand this because she can feel her mother’s pain, and Ooshima’s suffering. Senda is the creation of everyone who had ever tossed away something to hard to deal with, and now I think both Marin and Kanon understand that Sedna can’t be killed as long as people can’t come to terms with their own emotions.

      Throughout the entire series the Turtle Elder has been driving Marin and Kanon forward in an attempt to make them soldiers of light in a battle with their mortal enemy, darkness. It turns out that until now the Turtle Elder and the girls were only operating with half knowledge, I had wondered throughout the series why Sedna couldn’t be defeated for good in the past. The island’s shrine priestess had been trying to drop them hints about the nature of the darkness affecting the island and he refused to listen.

       Since Sedna was a creation of every one’s abandoned feelings the only real solution was to embrace all those hurtful and scary emotions, we don’t throw them away, we allow ourselves to be transformed and changed by our life experiences.

      If anything, Sea Story was a tale about growing up and learning to accept all the scary emotions that come along with being an adult. Kanon’s fear of being rejected, Marin’s fear of the darkness, Urin’s fear of loneliness, we shouldn’t hide these emotions, we need to share them with others who care for us, and forgive the weakness inside our hearts.

       While our nature might be good, we all  harbor some darkness inside our hearts, it waits, quietly, until we become fearful, uncertain, lonely, and depressed, then it slowly grows, and can cause us to say cruel thing, and to be unkind to others. But, with the knowledge of its existence we can fight to keep it in check, and when we do slip up, we ask for forgiveness.

       The key to dealing with Sedna is that the girls will have to embrace her and love her breaking the cycle of self-loathing, self-isolation, and come to terms with all of our painful emotions. This is a message that we’ve seen in many popular anime like in Sailor Moon when Usagi says that you can’t kill chaos but you can keep it in the recesses of our hearts, and also in fruits basket when Tohru tells Momiji that we must learn to live with all our painful memories and feelings, we must transcend them because they make us who we are.

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