Anime Series Completed


        Well, here we are, the girls from K-On! are back with this OVA. The story begins with the girls getting invited to perform their first outside of school concert on New Year’s Eve at Live House. Mio wants to put it to a vote, and she and Azusa vote no, but they get overruled 3-2 by the other girls.

       The girls then pay a visit to Live House where they have to play an audition tape and fill out the application. The group is informed about the meeting and rehearsal schedule, and shown around the club.

        After the tour of the club the girls return to Yui’s house where they discuss what songs they’ll play and what outfits they’ll wear.  Should they where the cute uniforms from their first concert or the uniforms from their second show, or maybe have Sawako make them some new ones, but, in the end, Mio’s suggestion of just wearing their school uniforms wins out (good choice).

       Later, Yui gives her sister Ui two tickets to the concert, and she also gives Nodoka a ticket to the show. When the girls show up on concert day they get to meet Ritsu’s friend from the band Love Crisis, she’s the one who got them the invite to the show. The K-On! girls see that Love Crisis is on a much more professional level, they have their own fliers, Logo, CD, and they’re even doing a future solo show. After attending the preshow meeting the girls find out that they’re the second band up, and they receive their backstage passes. Then the girls are given their setup sheet where they have to let the club know what type of lighting, backing tracks, and so forth, basically they don’t know what they’re doing, so Mio says keep it simple.  But, the girls are overmatched so Yui borrows a filled out sheet from a more experienced group to use as a reference.

        Once the paperwork is finished, the girls watch and listen to some of the other groups’ rehearsals, and admire their specialized equipment like special affects petals, and so forth.  Back in the dressing room, we see that Mugi has brought along a supply of tea and snacks, and soon the other groups join them. Basically, all the girls talk about their love of music and their drive to keep playing.

       Time passes quickly and Afternoon Tea Time is called to the stage for rehearsals. Once the girls take the stage they’re pretty confused and nervous, and their first attempt doesn’t go very well, actually it’s a disaster. The other girl groups give them some words of encouragement and they start over from the beginning.

       Later, Yui meets Ui and her friends outside before the show, and they talk a bit. As the concert is starting Sawako shows up wearing her old clothes and she’s recognized by the club’s manager. 

        Afternoon Tea Time puts on a good show, and outside they’re greeted by Sawako, Nodoka, Ui, and her friend. Well, they tell them good job, and the girls thank Love Crisis for inviting them and they agree to play together in the future.

 

         After the show, the girls all return to Yui’s house where Ui cooks for them. As the New Year approaches, everyone but Ritsu and Mio has crashed, they share a smile and a laugh about the other girls, and they soon join them in sleep.

        At the crack of dawn Yui wakes everyone except Sawako, and Ui for the first sunrise of the New Year. While the other girls are initially grumpy then soon head outside and watch the sun come up together enjoying each other’s company at the start of a glorious new year. That’s all for this OAV.

         Well, it’s been awhile since I watched an episode of K-On!, and this OAV reminded me why I loved the first season, and why I’m looking forward to the second season. To, me shows like K-On!, Lucky Star, Sky Girls, Rocket Girls, Aria, and so forth are not about the action, or the plot, but me enjoying the girls interacting with the other characters, situations, and the environment  surrounding them. You can call these formulations Slice of Life, or call it Healing, or call it Moe; I really don’t give a shit, all I know is that I get enjoyment and relaxation from watching these types of series.

          Overall, this episode of K-On! was a typical episode, nothing spectacular. The girls take a major step forward in their musical careers by getting invited to play outside the school for the first time and they take it about as seriously as everything else, not very. But, that’s not the point of the series; the whole point to this series is that we get to watch as the girls personal horizons are widened because of their friendship and the situations they’re placed in. As Mio says throughout the episode, it’s kind of nice to see how far they’ve come, and see all the new things they’re experienced because of their band. I don’t think that the girls are going to be professional musicians, but they’re filling a wonderful treasure chest of memories that someday when they’re older and life starts to run them down they can draw upon to make them smile; after all, you should treasure your youth.

For my 12th and final post in my “12 moments in anime 2009” series I’m choosing Clannad’s (both seasons) triumph of storytelling. Much of the following text has been excerpted from my loved filled reviews of both series, so I you like what I have to say go back and read my old reviews.

“Tell Them Stories”

      I have chosen to title this article/post “Tell Them Stories“, using a quote from Philip Pullman’s book The Amber Spyglass, the third book from the His Dark Materials book series. It comes at a point in the book where Mary Malone (one of the main characters) needs to impart important knowledge on to the adolescents, Will and Lyra. Mary needs to impart this knowledge upon Will and Lyra to facilitate an important awakening within them. Mary struggles with how to do this, does she preach to them like a Sunday school teacher, or does try to teach them like a public school teacher? No, while walking around, Mary sees uncountable ghosts exiting the land of the dead and they implore her to “Tell Them Stories, Tell Them True Stories“. Upon hearing this, her course of action is set, she’ll use what humankind has used for most of it’s short history to impart shared cultural values, “Storytelling”.

      Since the beginning of human history, from our earliest days when we were gathered around a fire inside a cave, we told stories, and the record of those stories were recorded for future generations on the charcoal drawings still found on the walls of those caves. The tradition of storytelling has always been used throughout human history to pass down shared cultural values, ask us important moral questions, teach and enlighten us, make us laugh or make us cry, strengthen us or occasionally frighten us, entertain us or sometimes bore us, but most importantly, storytelling bonds us together in shared emotions and experiences.

I think that the following discussion of storytelling by Philip Pullman has it exactly right, I only wished I was brilliant enough to pen these words.

      “The sharing of stories takes time, but it is worth the wait, worth the meandering, worth the stuttering and stumbling and the struggle to find the right words. Thou shalt not is soon forgotten, but once upon a time lasts forever.”

       Many of the greatest tales or stories begin with “once upon a time”, or ”a long ago”, or “once there was”, or “mukashi mukashi”, but no matter how they begin they take us on a journey to another place and time where we can lose ourselves, if only for a moment, in the trials and tribulations of the characters. We laugh, we cry, we feel exaltation as we follow the characters down their long paths, and in the end, maybe we learn something about ourselves along the way.

      To me Clannd’s story began with the simple question of ”do you like this school?”  and we follow Nagisa’s and Tomoya’s journey as they begin their long climb up the hill to school and to an adult life until they reach “the place where wishes come true”. Since I’ve always considered Clannad a fairytale it’s fitting the the story wraps up with Tomoya telling his daughter a story under a shade tree, once upon a time. The tale of Clannad is a tale of human magic where acts of kindness, mercy, and love have redemptive and transformative powers. But, to me, Clannad’s greatest gift has been the emotional escapism almost every episode provided me, I laughed, I cryed, I felt the sadness and pain as Tomoya and Nagisa walked their long hard path to the future, and felt utterly contented when “they lived happily ever after”.

 Below are a few portions of some of my previous reviews written about certain aspects of Clannad such as, storytelling and human magic, the power of love and kindness, and emotional escapism.

From my review of Clannad episode 1 (storytelling and human magic).

        Now to the storytelling aspects of Clannad, Key’s  greatest asset has always been it’s ability to weave together a great plot that knows how to pull at the viewer’s heartstrings, and I feel that Clannad  is going down the right path. Like past Key projects Clannad  deals with the impressions of how time should flow, and how it must flow forward. In AIR and Kanon  time does not flow properly, the characters are suffocated and stifled by the past, caught and held in a limbo like muted world until they are able to deal with the past and move forward. In the anime Voices of a distant Star,  and The Promised Place of our Earlier Days  the main characters are haunted by the desire to recapture the feelings and the motivations of youth, reaching back for what is past and can never really be recaptured. The Key stories are about wanting to move forward and living life like it should be lived, we must grow, progress, mature, love, and change (hopefully for the better).

      I also like how Key  includes elements of dreams and magic in to their stories, most of the time it’s small magic, not magic on the grand scale of shows like Scrapped Princess and so forth. Key’s  magic is small scale but powerful, a human magic brought forth by human actions and acts of kindness, compassion, friendship, caring and love.

From my review of Clannad episode 10 (emotional escapism).

       The world of Clannad is the perfect male fantasy world, a world where all the girls are cute with almost all of these girls being kind and gentle, a world where even the most hard edged and gruff girls really harbor a heart of gold. This is a world where all the sweetest and cutest girls don’t have boyfriends and are just waiting for a normal guy to come along and touch their souls, this is emotional escapism at the purest level, a world where gentle and lonely souls flutter around each other like moths around a flame until they finally meet creating the perfect emotional connection. Clannad is also a world where even a girl laying in a coma longings for connection, human contact, and love is so great it can cross the boundaries of human consciousness to touch the lives of others. This is emotional escapism of the highest level, and I’m buying into it.

From my review of Clannad episode 14 (the power of love and friendship).

      In the Clannad universe, love, compassion and friendship are the greatest powers in the world, these powers can transcend the boundaries of space, time, and reality to effect all those coming in contact with it. Also in this world the power of love also increases with each person it touches, as it touches one person it gathers strength and  intensity before moving on to touch the next person. But one thing I’ve always liked about the other Key titles including this series is that they always stress that’s it’s always better to move on, to move forward, to move towards the future, staying in the past leads to stagnation and nothingness.

From my review of episode 21 (A child’s understanding and adult decisions)

      Nagisa is a pure girl, trusting, caring, and loving, she has shown many times in the series that she places more value in the happiness of others than in herself, but Nagisa has also shown that in some respects that she can be a little slow in some aspects, so when she read her parents’ diaries she only really picked up on the parts that confirmed her darkest fears, that her parents had to give up their dreams because of her, she chose to ignore parts where her mother wrote that she would have never traded these times with her child for anything. In this respect Nagisa shows that she still has a child’s understanding of the situation, and this is made worse by her parents evasiveness.

      In a great deal of anime one of the most popular reoccurring themes in their plots are the famous “go for your dreams or bust plot line”, I find a lot of these stories to be very exciting and uplifting because it brings back memories of youth, when all things were possible, I could be President, a rock star, a billionaire, the sky was the limit, but there comes a point where a child’s dreams and a child’s understanding of life collides with adult decisions. Nagisa’s parents made an adult decision after they nearly lost their daughter over a lapse in judgement brought on by a selfish moment, after the near loss of their daughter they decided to place her care above their personal wishes and goals, they reached a point in their lives when they realized where their greater responsibility lay, their daughter.

     Nagisa still being a child thinks that it was a either or choice, her parents dreams or caring for her, she feels that they chose her over their personal happiness and that they might/probably are unhappy now. What Nagisa doesn’t realize, and it was her parents responsibility to teach her, is that a decision like this is a false choice it’s not a zero sum game. They made an adult choice and failed to properly communicate their feelings about this to their daughter, her father could have told her something like, I love you more than anything in this world and I wouldn’t trade this life I have now for all the money or fame in the world. They should have/could have told her that as adults we have sometimes acquire greater responsibilities than following a dream, and one of those responsibilities is caring for the most important thing in our lives, our children. And as Nagisa’s father has probably realized, and the Rolling Stones put voice to in their song “You Can’t always Get What You Want

You can’t always get what you want,
But if you try sometime, yeah,
You just might find you get what you need

     Neither Nagisa’s father or mother seems to be unhappy with their current lives, while she might not be a teacher, and he might no longer be an actor, they both have a loving spouse and a loving daughter, after all sometimes the dreams of youth give way to the satisfaction of a fulfilled adult life.

From my review of Clannad ~After Story~ episode 21 (the helplessness of a mortal man and tomoya’s moment of magical thinking)

       For me what really stood out about this episode was Tomoya’s strength of character. After receiving the “fatal” news about Ushio’s illness Tomoya showed only one moment of weakness, and Akio quickly set him straight. A man has to be strong until the very end for the ones they love, and a man has to protect the ones they love to the best of their abilities.

      Any father would give anything, even their own life to protect their loved ones, but Tomoya faced the worse possible situation. Tomoya faced a enemy he had no chance of defeating, if you saw a car getting ready to run over your child you could push her put of the way sacrificing yourself, or you can step in front of a bullet for your child, but Tomoya’s enemy was far worse. Call it a curse, call it fate, or call it destiny, but in the end, it was a no win situation.

       I feel that Tomoya quickly realized that Ushio was going to die, and if he tried to fight, it would be like he was battling God. So, Tomoya decided to submit to fate and wrap Ushio in the a protective layer of love and kindness. While Tomoya’s heart was being ripped out his chest he only showed Ushio a gentle smile and a calming voice. In the end, Tomoya was able to grant one of Ushio’s wishes, he gave her the trip with daddy that she wanted, and he did the best that a mortal man could do. Well done Tomoya, I’m sure Nagisa and Akio would be proud.

       But there’s a limit to how much suffering and pain any one person can take before it overwhelms them, and with Ushio’s death I think Tomoya’s reached his limit. At the end of the episode Tomoya again asks himself if it would have been better if he and Nagisa had never met? Tomoya slipped into what I call “magical thinking”, this best described in Joan Didion’s book “The Year of Magical Thinking” (great book, if your haven’t read it, do so). In the book, the author experiences such overwhelming grief and loss over the death of her husband that she begins to obsess about if I did this, or if I did that, could I have changed to outcome? The question that Tomoya has answer for himself  is did his love for Nagisa and Ushio mean more to him than their loss? If he’s chooses the path of stagnation will that bring him anymore joy in the long run? If Tomoya chooses the path of love and loss will there any salvation or mercy for him and his family? I don’t know, but I feel that the old saying  ”it’s better to have loved and lost then never to have loved at all” will hold true, or I pray it will.

From my review of Clannad ~After Story~ episode 22 (the place where wishes come true)

The moment of possibilities, and the place where dreams come true.

       It seems that after Ushio’s death, the world held it’s breath, and Tomoya temporarily existed in both the real and the dream world, he had sort of reached his Omega point. We discover that the girl from the dream world is his daughter Ushio, and she probably came into existence the moment Tomoya and Nagisa first spoke. When Ushio admits that she’s also a orb of light (an expression of happiness) it all fell into place for me, Ushio was Nagisa’s orb of light, her happiness, her expression of life, and her fondest desire.

     When Tomoya first met Nagisa she stood rooted at the bottom of the school hill, she loved the town and school but she wished for change, she wanted to move forward, make friends, progress, but she was filled with the fear that nothing would change. So, when Tomoya spoke to her it was her fondest desire, time began to flow, nothing can stay the same forever, Nagisa began her path to happiness creating the dream of Ushio in the process.

       I feel that Nagisa’s and Ushio’s relationship with the city was very different from Tomoya’s and the other city dwellers, when Akio begged for Nagisa’s salvation the land and the city granted his wish, but at a great price. Nagisa, and her daughter were linked to the rhythms and emotions of the city, while this might not seem like a big deal, it was, Nagisa and Ushio are after all only made of mortal flesh. Everything requires balance, when Nagisa was saved without Akio using a orb of light, something had to be payed back in order to balance the equation, did Nagisa and Tomoya create enough happiness (orbs of lights) to pay the city back, or as the Beatles put it,  “And in the end, the love you take, is equal to the love you make” 

     When Tomoya shouted that he didn’t want this to happened, and for Nagisa to save Ushio, he actually held an orb of light in his arms (a dying orb) and Ushio reacted to Tomoya’s cry. When Tomoya fully enters the dream world he reached the point where all things are possible (the Omega Point) with the right choices. Because Ushio died in the real world and Tomoya is thinking about not speaking to Nagisa at the bottom of the hill Ushio’s ability to maintain her existence and the existence of the dream world was fading, and the only thing she could do to help Tomoya was to confirm that his and Nagisa’s love did mean something and was worth cherishing.

      So, if Tomoya chooses to let Nagisa walk back home alone there would have been no Ushio, no dream world, no multiple orbs of light, Nagisa would have still died in the future, and Tomoya would have continued to live in his mono-colored world of misery. But, because Tomoya confirms his unconditional for Nagisa and finally throws away his doubts, the world let out it’s breath. In Omega Point theory the universe is considered to be a computer and all it’s living creatures are information inside the system, and when you reach the maximum informational and computational  capacity, all things are possible, life and death, reality and fantasy become meaningless. So, once Tomoya reaffirmed his love for Nagisa he ensured the creation of Nagisa’s orb (Ushio) and all the other orbs and he was able to hit the cosmic reset button, Nagisa lives and she and Ushio’s illness are wiped out.

       If you think that this is too far fetched, just consider the possibility that all of Tomoya’s pain and suffering from the moment of Nagisa’s death only occurred in his mind, in a dream, he just lived through all that possible pain in an instant. His wish might have been granted the very instant when he held Nagisa hand and thought she was dead, Nagisa lives and Tomoya’s vision of a horrible future fades like when you awaken from a terrible nightmare to find yourself safe under your covers.

       In the end, I feel those who judge Clannad harshly because of its ending are looking at the series with the wrong set of eyes. We have two ways at looking at things, the first way to view something is through the eyes of logic and science, and the second way of looking at something is to look at it through the eyes of our hearts. Clannad is a show that must be viewed through the lens of our hearts, after all, is it anymore illogical to have Clannad end the way it did than it is to accept that you can find a giant robot buried in the ground, or that people can possess other strange powers?

For my 10th entry in my “12 moments in anime 2009” I’m choosing the philandering ways of Touya from the White Album series.

 

       In the harem themed anime of the past such as Ranma ½ and Tenchi Muyo the guy at the center of the harem had many redeeming qualities that would lead the girls surrounding him to want his DNA. The harem leads from the past weren’t pathic punching bags for all the tsundere chicks in his harem like Keitaro was from Love Hina, and I could no more picture either Tenchi or Ranma getting slapped around by all the women in their lives as I could ever picture myself putting up with any of my former girlfriends/lovers slapping me around to show me that they love me.

 

      So, what the hell happened to the harem genre and their males leads over the intervening years? Well, my personal theory is that in the past, anime in general was targeted and viewed by a larger general audience, and those shows made back their production costs, and then some, by being popular enough to actually make money off of commercial advertising. So, as television audiences and anime audience’s numbers began to slip the production companies had to reley on sales of VHS tapes and later DVD sales to make a profit. 

      This situation led to these types of anime being targeted towards the hardcore buyers of DVDs and away from trying to attract a large diverse audience. So, where we once had male leads of harem type anime where female viewers liked them and male viewers looked up to and aspired to be like them we’re now left with male leads who are avatars for lonely/sexually impotent male viewers who spend more money on anime then getting laid.

 

        Even in a harem anime such as Bakemonogatari where the male lead, Koyomi, is a pretty tough hard core guy and surrounded by attractive females who are available, he’s sexually impotent. Koyomi gropes Mayoi and both enjoys himself and loathes himself for the act but can go no further, he leers at Nadeko who’s attracted to him and available but does nothing, and even when he finally gets Hitagi as a girlfriend he practically had to get dragged kicking and screaming to their first date, she did all the work. Then we have other harem type anime such as Kiss X Sis, Kanokon, and Kiss on my Deity where the male leads practically have pussy shoved in their faces everyday and they’re so pitiful and impotent it’s no wonder why Japan has a negative/zero population growth problem judging by how these males react to women.

Loser #1

Loser #2

Loser #3

 

       So, all this ranting brings be to Touya from White Album, the hero of this post. While Touya may be many negative things such as; a very bad boyfriend to Yuki, a man-whore, a liar, an unreliable person, and a piece of shit, he’s certainly not impotent. When Touya gets that loving feeling he’s not contented with a little panty shot, he wants what’s underneath that thin piece of cotton, and he knows where his sausage belongs. Out of the six main girls in Touya’s harem he’s filled the love canal of three of the six girls (Yayoi, Misaki, and Haruka), and made out with two of the remaining three (Rina and Yuki).

Hit Yayoi many times.

Hit Misaki and left it.

Hit Haruka and left it.

Kissed Rina and wanted to hit it.

Yuki, the girlfriend, kissed her and been trying to hit it the whole series.

       So, in the spirit of the awards season Touya wins the erect penis award for knowing how a man should react to readily available lonely women. Yes, Touya’s shining example should be a guiding light to all males involved in harem situations: Yes, Keitaro you should have slammed every chick before settling on Nauru; Yes, Keita you should bang both Riko and Ako before picking one; Yes, Kouta you should have deflower both Chizuru and Nozomu; Yes, Yuuri you should really taste Mashiro and all the other girls around you; and Yes, Koyomi you should have acted first by picking a girl and doing something; you’re all losers compared to Touya.

All male harem leads please read the following advice.

OK, so far, I’ve chosen quite a few fun/silly topics for my “12 moments of anime 2009” posts, so it’s time to get serious with my eight post in the series by choosing to look at the banality of evil in Umi Monogatari ~Anata ga Ite Kureta Koto~ (Sea Story).

       In many anime where evil is involved the evil tends to be an outside force or creature that threatens our world that needs destroying, so train hard and destroy the threat, case closed. But, in the anime series Umi Monogatari ~Anata ga Ite Kureta Koto~ (Sea Story) the evil (Senda) is us; our fears, our weaknesses, our pain, our loneliness, our jealousies, our self-loathing, and our inability to accept, transcend, and forgiven our own flaws.

 

         If this had been a typical anime Sedna would have just been a evil creature that needed destroying, but in affect Sedna is the child of every islander who ever went to the little shrine and tossed their loneliness and sorrow into the sea. That’s why Marin felt the same pain from the eclipse when the heart of darkness attacked her, in the previous episode Marin tossed her sorrow into the sea and now it’s returning home to roost. Kanon now understand this because she can feel her mother’s pain, and Ooshima’s suffering. Senda is the creation of everyone who had ever tossed away something to hard to deal with, and now I think both Marin and Kanon understand that Sedna can’t be killed as long as people can’t come to terms with their own emotions.

      Throughout the entire series the Turtle Elder has been driving Marin and Kanon forward in an attempt to make them soldiers of light in a battle with their mortal enemy, darkness. It turns out that until now the Turtle Elder and the girls were only operating with half knowledge, I had wondered throughout the series why Sedna couldn’t be defeated for good in the past. The island’s shrine priestess had been trying to drop them hints about the nature of the darkness affecting the island and he refused to listen.

       Since Sedna was a creation of every one’s abandoned feelings the only real solution was to embrace all those hurtful and scary emotions, we don’t throw them away, we allow ourselves to be transformed and changed by our life experiences.

      If anything, Sea Story was a tale about growing up and learning to accept all the scary emotions that come along with being an adult. Kanon’s fear of being rejected, Marin’s fear of the darkness, Urin’s fear of loneliness, we shouldn’t hide these emotions, we need to share them with others who care for us, and forgive the weakness inside our hearts.

       While our nature might be good, we all  harbor some darkness inside our hearts, it waits, quietly, until we become fearful, uncertain, lonely, and depressed, then it slowly grows, and can cause us to say cruel thing, and to be unkind to others. But, with the knowledge of its existence we can fight to keep it in check, and when we do slip up, we ask for forgiveness.

       The key to dealing with Sedna is that the girls will have to embrace her and love her breaking the cycle of self-loathing, self-isolation, and come to terms with all of our painful emotions. This is a message that we’ve seen in many popular anime like in Sailor Moon when Usagi says that you can’t kill chaos but you can keep it in the recesses of our hearts, and also in fruits basket when Tohru tells Momiji that we must learn to live with all our painful memories and feelings, we must transcend them because they make us who we are.

For my seventh post in the “12 moments of anime 2009” series I’m choosing the K-On! beach episodes.

      Anime and fanservice goes together like peanut butter and jelly, and mom and apple pie, and that fanservice comes in many flavors; a new robot for mecha fans, a new weapon for military fans, a new move for martial arts fans, and so forth. So, me being as fan of cute/hot girls doing cute/hot things, my fanservice of choice revolves around those girls being placed in an environment where cute/hot things can occur; the beach, the onsen, a sleepover, a festival, or anywhere else the girls get to be cute. So, for my seventh post in the 12 moments of anime 2009 series I choosing the K-On! beach episodes, while most anime only give us one beach episode K-On! graces our eyes with two beach episode out of its 13 episode run (episode 4 & 10). Without further ado, the girls of K-On! at the beach.

Beach episodes=bikinis, melons, and equipment comparisons

The beach episode also affords the girls the opportunity to enjoy water sports and sand sports.

Also, the beach episode allows the girls to give us, the male viewers, many pseudo yuri moments to indulge our hidden desires.

So, whenever I find out that an anime featuring cute girls is about to have a beach episode, my heart leaps for joy!

Since it’s the Christmas season I’m choosing the Christmas episode from the Minami-ke Okaeri series for my six post in the “12 moments of anime 2009” series.

      Tis the season to be jolly, so what better way to spend Christmas then to spend a Christmas evening in the kids’ paradise that is the Minami-ke household. The Minami sister’s parents are overseas for work, and the only “adult” supervision the girls recieve is an occasional visit from their uncle who drops off their living expenses and drives them to the beach or to an onsen. So, the sister must content themselves with daily school life and the company of good friends who have become their family.

        The one thing that I’ve always liked about the Minami sisters and their friends is that there’s not a bad person amongst them, and while they may at times tease or needle each other for the most part they enjoy their mutal frienships. So, as Christmas day approaches share a toast with Haruka, Kana, Chiaki, Mako-chan, Uchida, Touma, and Yoshino to good friends. The only thing missing from this garden of flowers is me sitting next Uchida, Merry Christmas.

         For my next entry into the “12 moments of anime 2009” series I’m choosing Fumi’s confession to Akira that she’s a lesbian from Aoi Hana episode 4.

        First of all, I have to say that I absolutely loved this episode, the range of human emotions and uncertainties displayed by both Fumi and Akira felt true to life and believable. Too often in anime when a main character finally reveals their real feeling it’s takes so long and is done in such an over the top manner that it stretches the limits of believability, but in Aoi Hana it felt true and right.

 

        I felt that the scene where Fumi confesses to Akira that she a lesbian and is in love with Yasuko, and that she and Yasuko are dating was very powerful and poignant. Fumi who is a very sensitive and insecure girl placed a lot of trust and pressure on Akira at that moment. As Fumi said at the beginning of their conversation she really values her friendship with Akira and doesn’t want to ruin it. I could feel the tremendous emotional pressures building on Akira with her childhood friend not only confessing to her that she’s a lesbian but asking her not to find it and her gross, and please don’t hate her.

        You can see how this plays out with Akira by the thought that she places on this situation during her train ride home, while she told Fumi that she doesn’t have a problem with girls liking girls she also wonders if she’s too simple minded, and we also see her uncertainty playing out why she sort of asks Kyoko about this. I also felt that Fumi displayed a tremendous amount courage and vulnerability in this episode. Fumi displays a tremendous level of courage by telling Akira that she a lesbian but she also shows her vulnerability when she practically begs Akira to not find her gross and not to hate her.

          This episode touched on the very human desires of wanting to love, and be loved, and also the very human need to be accepted for who you are by your friends, and the toll that these desires can take on someone when the relationship falls outside of what mainstream society considers normal.

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