I’m sorry this post took so long but I’ve been sick lately and work has been a real bitch these past three weeks.  Also, this episode was so loaded with juicy themes that I wanted to get my thoughts in order before dropping this post.

      This episode begins one chilly fall morning with Rio burning the letters she’s been receiving from her father. We also hear that Kanata has made great improvements in her playing abilities since she’s had six months of practice time at the fortress.

      Then the scene switches and we see a Yuuko and an old woman up in the hills above the fortress and the old woman seems to be ill. Later in the morning we see Kureha and Kanata helping Noel refurbishing the tank, and it looks almost ready to rock. Then Kanata asks Kureha about the princess and they look for the unit’s army almanac, but its missing and Filicia’s no help in finding its location.

      Over tea, Kureha tells Kanata more about Princess Iliya; she says that Iliya was the eldest daughter of the current Archduke and she was a famous tanker. Kanata asks her about what Claus said. She died two years ago when she assigned to the royal guard, on her way to visit a city, she drowned saving a child from a river. Kureha goes on to tell Kanata that she relieved because the rumor was….

      Later, Kanata gets a visit from Yumina and Yuuko asking for a favor. Kanata goes to Rio room and asks her through the door for help. Yuuko is the daughter of Martin (one of the shop owners they do business with) and she wants them to check on the old lady (Jacott) who sells them stuff at the market. Rio is just lying in bed in a semi-cationic state but gets up and tells Kanata that she’ll listen to her request.

      Soon, Kanata and Rio are off to the hills to check on Jacott. While they’re walking towards Jacott’s house we hear the rest of what Kureha told Kanata about Iliya; it was rumored that Princess Iliya was going to be married off to the Emperor of Rome to improve relations with them, she would have been his third wife, and Kureha says she would have been a hostage. The idea stopped when Princess Iliya died and they fought with Rome until this year’s peace treaty.

       When they arrive at Jacott’s house they find her working on the construction of a new house, and she’s not in good health. Well, they take her inside and fix her some tea. She tells them the new house is for her son who lives in the city but will return home some day. When, Rio asks. Soon, Jacott replies. Rio tells the woman she must move to the city before winter comes, but the woman refuses, she has to finish that house. Rio says she’s not ready for winter having no firewood or provisions. She laughs and says she’ll be OK.

        Back at the fortress, we see Rio chopping firewood and complaining to Filicia about the stubborn old woman, and Filicia says it reminds her of Rio. Filicia then asks Rio why she showed her the letter, and she goes on to tell Rio that the military is reporting that the Roman army on their eastern border has started to move, Rio expresses shock.

        We then see Rio waiting in the car while Kanata is inside Martin’s shop picking up supplies for Jacott, and another customer asks Kanata for news about the peace conferences. Martin laments, if only Princess Iliya was alive, and the princess had a younger sister, the rumor is that she was an illegitimate child but she’s third in line for the throne. Just as Kanata is asking about the younger sister, Rio walks in the store and asks Kanata if she wants to take a walk.

       They talk about Kanata’s village and her family, large fields and lots of cows and goats, but not many people, and Rio says she can tell Kanata had a good family. Rio grew up in a small town near the capital with pretty lakes and forests, and she lived with her mother, it was boring and nothing happened. Rio’s true joy was her half sister who loved her very much and would stop by to play with her. Rio looked up to her because she was kind, and her sister accepted her fate with pride, she learned the trumpet from her, but her kindness was her undoing. Rio goes on to talk about the town, she got lost and ended up here and felt she had reached her goal, but realized this was a dead end.

      Kanata tells Rio, no, she gets lost all the time, I like to get lost, and who cares if your where lost or if it’s a dead end because that’s how I met you.  Rio tells Kanata that she jealous of her at certain times and she wishes she could be true to herself. The scene switches back to Jacott’s place with Kanata and Rio stocking the firewood and readying it for winter.  Jacott asks Rio why she cares, Rio says she reminds her of her mother, and Rio says she was born of a forbidden love, but her mother waited for him and he might come by once a year and she died living unhappily like that. Why do you think she was unhappy, Jacott asks, I’m quite happy here.  He promised he’d come back for me, it’s all I could do, what could I have done. Is that enough, yes, because I have my memories and the hope I’ll see them again.

      As Jacott and Rio talk, Kanata listens from outside the door as the first snow of the winter begins to fall. Back in the fortress, Kureha comments that it’s cold out there as the snow begins to descend on the countryside. As Kanata and Rio sleep inside Jacott’s house we get a flashback of Jacott’s life and how she ended up this way, she fell in love with a young married merchant and bore his child, because the man’s wife couldn’t have children he took the child and left her there, but promised to come back someday. Later, Jacott thinks the man has returned and rushes to the door to welcome him home.

      In the morning, Kanata and Rio awaken to find Jacott missing and follow her tracks into the snowy countryside, but to an avail.  We hear Jacott’s voice saying in order to lose you have to have gained, and the greater the joy of gain the greater the sorrow of your loss. Kanata’s voice counters with if you have memories of your happiness, with that, you can live on.

      Back at the fortress, Naomi says that she’s found the pictures of Princess Iliya that Kanata was interested in, Filicia tries to stop Naomi, but Rio says it’s OK. The pictures were of Iliya’s unit at the Timekeeping Fortress from five years ago, and in one of the pictures we see Iliya with the owl and Rio’s trumpet.

          Kanata looks to Rio, and Rio nods to Kanata and they head off to the tower together. Rio begins to play amazing grace and Kanata joins in and their duet resounds throughout the fortress and the town. After, Kanata tells Filicia that she thinks her parents wanted her to marry and take over the farm, but she fell in love with the trumpet and ended up here. It was Iliya, wasn’t it she asks Rio. Yes. You met her, too. Kanata says her music welled up inside of me.

       Rio gives Kanata her/Iliya’s charm and tells Kanata that she thinks she ran away to this town, I knew I’d leave someday. Now, I don’t want to leave, but that’s why I have to go to do what only I can do.  She then gives Kanata her trumpet and says she won’t say goodbye, no matter how far away…..Kanata says sounds fills the air……and reaches peoples’ hearts.  Kanata was I a good teacher? Yes.  As Rio walks off, she salutes the fortress and Kanata. Kanata says she’ll forever hear her music, the sound of the sky. Well, that’s all for this episode.

      Here I go; this review will be slightly different than my previous reviews of the series since I think that the real meat of this episode deals with Rio coming to a mature understanding of her nature and her position. One of the main reasons this review has taken me so long to complete is that I had to spend a lot of time looking up, reading, and watching other media to include in this review.

1 Corinthians 13

 Though I speak with the tongues of men and of angels, and have not love, I am become as sounding brass, or a tinkling cymbal. 

And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not love, I am nothing. 

 And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not love, it profiteth me nothing.

Love suffereth long, and is kind; love envieth not; love vaunteth not itself, is not puffed up,  Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil;  Rejoiceth not in iniquity, but rejoiceth in the truth; Beareth all things, believeth all things, hopeth all things, endureth all things.

Love never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away.

For we know in part, and we prophesy in part. But when that which is perfect is come, then that which is in part shall be done away.

 When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.

And now abideth faith, hope, love, these three; but the greatest of these is love.

(King James Version with “charity” rendered as “love”)

      I feel the highlighted portion of 1 Corinthians 13 really explains Rio’s internal battle that she’s been waging over the past few years. Rio saw/viewed her mother’s relationship with her father through the eyes and understanding of an immature child judging her mother’s action through her impression of their relationship rather that asking her mother what she really felt. I think that Rio and Kanata’s encounter with Jacott served to awaken Rio’s understanding that she was judging her mother on only half knowledge; did she ever ask her mother if she was unhappy, did she ever ask her mother if her father lied to her mother or did they have an understanding, all Rio ever did was become angry and bitter without ever understanding if there was a reason to become so. I’ll get back to the “a glass, darkly” part later.

      I found Rio’s comment to Kanata about “her sister’s kindness being her undoing” to be quite interesting because this is the main struggle that caused all the problems in the anime Revolutionary Girl Utena. A person’s nature can only be what it is, Iliya’s nature as a person and a princess was to be brave and kind and she could no more change her nature then an eagle could change its nature. While Rio might have wanted her sister to be more careful and less kind that would have caused her sister to change from the sister she so admired and loved into something else, think Anthy and Akio.

For further reading on this subject please see Ghostlightning’s post on Utena, and my comments on personal identity and characteristics.

Kanata and Rio; the free bird, and the caged bird.

I know why the caged bird sings, by Maya Angelou.

The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.

The caged bird sings
with fearful trill
of the things unknown
but longed for still
and is tune is heard
on the distant hill for the caged bird
sings of freedom

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.

But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing

The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.

        This poem perfectly explains Rio’s jealousy of Kanata, to Rio, Kanata is the free bird that glides along on the current of the winds letting those winds take it to new and interesting places while Rio is the caged bird that dreams of having Kanata’s freedom . Rio lives in a cage constructed by the nature of her birth & her identity, and the responsibilities that society places upon her. No matter how much Rio may wish to be free like Kanata, she’s still a princess and owes her country and the memory of her sister a debt. Some might say that Rio could keeping running away from her father but what would that solve, Rio would still be the caged bird. I think that the only way Rio will be truly be free of her cage is for personal death.

The legend of the Thornbird from The Thornbirds, by Colleen MuCullough.

“There is a legend about a bird which sings just once in its life, more sweetly than any other creature on the face of the earth.

 From the moment it leaves the nest it searches for a thorn tree, and does not rest until it has found one. Then, singing among the savage branches, it impales itself upon the longest, sharpest spine. And, dying, it rises above its own agony to out-carol the lark and the nightingale. One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles.

 For the best is only bought at the price of great pain… or so says the legend…”

       Rio struggles her whole life against the chains and bars of her cage only to discover only in death can she truly be free. On top of the tower, Rio impales herself upon the thorn of her destiny and sings her perfect song and in the process she undergoes death, the death of one existence and she experiences her rebirth into her perfected self.

“For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.”

       When Rio finally put aside her childlike thinking she was able to see clearly through the obscured glass/mirror that she’s been using to view herself. The darkness is now pulled back and now the light of self understanding illuminates Rio knowledge of her true nature and her responsibilities. The caged Rio dies on top of that tower, her fears and uncertainties fade under the light, and Rio is reborn into her true form. The bastard princess, third in line for throne, now assumes the role she was born to but fled from; she must do what only she can do, and Iliya smiles.

       Well, it’s time for a blog update. The past two weeks have been sheer hell, I came down with the seasonal flu and it kicked my ass. After finishing work I barely had the energy to watch any anime let alone keeping up with my episodic posts. So, now that I’m some what recovered I’ll be catching up with Kimi ni Todoke and all the back episodes of Yumeiro Patissiere. Well, these past two weeks have show me that at times being a solo episodic blogger sure can suck.

      Well, this episode picks up with Sawako wondering if Chizu was able to give Ryuu his birthday gift. Later that night Chizu is laying in bed thinking about that very same thing when she grabs the gift and decides to head over to Ryuu’s to give him his gift. By the time Chizu arrives at Ryuu’s, Tooru has already left, and Ryuu and Chizu share some unkind words and Ryuu ends up telling Chizu to give up on his brother, and Chizu throws Ryuu’s gift at him.

       Later, at school, Sawako and Ayane both commiserate over their uselessness and their inability to be much of a help to Chizu in the current situation. Soon, Kazehaya joins Sawako and Ayane in a stairwell conversation over the whole Chizu/Ryuu/Tooru thing, and he sort of reassures them that Chizu should be alright since she has two friends that worry and care for her.

 

    When Chizu arrives in class, there’s a tension between her and Ryuu. Also, there’s a tension between Ayane, Sawako, and Chizu, but Ayane leaves Sawako a note saying to treat Chizu normally, and if she needs support they’ll be there if she needs to cry her eyes out.

        When lunch period begins, Kazehaya takes off with some of the boys leaving Ryuu and the three girls in the classroom. When Chizu takes off to buy some lunch Ryuu gets up and leaves a few seconds later leaving Ayane and Sawako to wonder if he went after Chizu. When Ryuu confronts Chizu in the stairwell he has to grab her arm to keep her from walking off. Chizu starts shouting at Ryuu drawing the attention of the other students including Sawako and Ayane. Chizu asks if Ryuu thought she needed to be rejected, yeah. Chizu tells Ryuu that she didn’t fall in love with Tooru to be disappointed and she runs off.

       Sawako and Ayane catch up with Chizu and Sawako starts balling and this leads to Chizu cutting loose. Chizu cuts loose with everything that happened, she lets it all out, and Ayane and Sawako are just kind of there for her. Chizu tells them of her anger at Ryuu, her frustration over Tooru, and that she’s most disappointed about how she threw Ryuu’s birthday gift in his face. Chizu ends up crying while Ayane and Sawako hold her, and on their way home Chizu says she feels a lot better and is ready to eat some cake. The episode ends with Ryuu placing a telephone call to his brother about Chizu.

       Well, in this episode Sawako seems to have learned another important lesson about friendship, that being, if you can’t directly help your friend, just be there for them.  Since the end of the last episode, and through most of this episode, Sawako has been agonizing about her inability to be any real help to Chizu even though Ayane tries to tell her there’s not much you can do.  Also, Kazehaya shows a remarkable amount of wisdom in this episode, and his words seem to really help Ayane and Sawako. But, it was also quite funny when he tells Sawako and Ayane that he would most likely be useless if he was in the same situation, sometimes there are no right words to help ease the pain.  In the end I guess it all worked out of the best with Sawako’s tears causing Chizu to let loose all her sadness and frustrations in the hallway. I think that Chizu letting loose of her emotions was very healthy and is the first step in her journey of coming to terms with her feelings and herself. Well, I’m looking forward to the next episode to see if Ryuu is going to manage to set something up between his older brother and Chizu that’ll help ease Chizu past this rough spot and lead to some emotional closure for her.

        This episode begins with the girls working in their garden harvesting the fruits of a bountiful summer. While going about their labors, Kureha tells Kanata about her parents, her father was a pretty famous tanker who was wounded in battle, and that’s where he met Kureha’s mother who was working as a medic in the hospital. Filicia informs the girls that Claus will be stopping by and Kureha gets all excited. Kanata says that Kureha must really like Claus, no, I just respect him.

        At that moment we see and hear Rio start to jam out on her bugle, Kureha comments that she didn’t know Rio was that good, but Kanata seems very unsettled. Filicia looks to the sky and says the wind is starting to blow and the weather is going to get bad soon so they need to head inside.

       Later, after dinner it begins to storm and Kanata, Kureha, and Noel lounge around in their bed clothes with Kanata bringing up the fact that Rio is acting strange including the fact that she ate pepper when she can’t stand them. As the girls continue the small talk, Kanata notices that Kureha has a picture of a much younger Claus, and Kureha calls it her treasure and tells Kanata she can’t have it. A few seconds later, Noel falls asleep in her chair and Kanata has to catch her before she goes crashing to the floor, Kureha and Kanata place Noel in Kureha’s bed.

 

       Later, we see that the three girls are racked out in Kureha’s bed, and Filicia has talk with Rio. She asks about her hanging up on her father, and she brings up the fact that while Rio seems on top of things she really not, she tells Rio she’ll cover for her but act like a good leader in front to the other girls.

       A few seconds later, Claus shows up in the middle of the storm with a priority message for Rio. Filicia calls Claus the desert fox and invites him inside where he gets mad because he says he asked her not to call him that. Filicia says how about some hot tea and a bath as an apology.

        Soon we see Kureha serving Claus some of her cooking and he makes the comment that she’ll make a good wife someday. Kanata walks in and sees Filicia reading a newspaper that Claus brought with him, the peace conferences aren’t going well, and Claus laments that if princess Iliya was still alive things might be different. Kureha tells Kanata that Iliya was the hero of Vingt and the first princess of Archduke Arcadia and Kanata looks over to the book Rio gave her. Kureha goes on to call her the Helvetian army’s goddess of victory, and a tanker goddess like Claus the Desert Wolf. As the Claus and the other discuss the peace conferences, Rio is in her room agonizing about opening the message tube when Naomi and Yumina show up asking for help, Seiya is missing.

        Well, the army jump into action, Claus and Kureha head off in his motorcycle and sidecar, Noel and Filicia head off in the car, and Rio and Kanata search by foot. While Kanata and Rio are searching near the river by the waterfall, Rio has a flashback of the princess and she comments that she fell. While Kureha and Claus are searching they run into Mishio and Kureha grabs her and says the only reason she could be out here is because she knows something about Seiya, where is he, the fields.

        Well, Kureha and Claus find Seiya near the raging river trying to protect some eggplants, Kureha goes to him and he says he didn’t ask for help. Kureha is about to hit him but instead hugs him and says that kids without parents have to be stronger than kids with them because she’s an orphan too.  After Seiya gets pulled to safety, Claus tells Kureha to go next, but the path collapses and Kureha and Claus are trapped near the river with no way up, Filicia tells Rio, Kanata and Noel that it doesn’t look good.

        Kureha tells Claus that she’s not afraid because she’s with him and Claus is about to tell her something but he changes his mind. Above, Kanata says she not worried because Kureha with miracle Claus, and Filicia and Rio says that’s not true, Claus just happened to have the same name and was close in appearance and Kureha got all happy, and Claus just never found the right moment to tell her. But, Filicia says the important thing is we have to figure out how to rescue them.

       Noel suggests they send them a rope, Rio says they’re too far down and too far away, but Noel says there’s a way. Below, Kureha tells Claus that when she first met him she thought that her father would have been like him if he still lived, and she tells him that she says she knew her dad well but its all second hand since he died when she was little. Claus’s and Kureha’s little patch of ground continues to erode and Kureha clings to Claus when she notices that he’s missing the wolf tattoo on his chest that her picture has.

       As a watery death closes in on Claus and Kureha they hear a bugle call, and we see that the townspeople have pulled the tank to a spot overlooking the river. Noel is going to use a previously unseen function of the tank to fire a rescue line to them. Kanata uses her instrument to signal to Claus that a line is coming, and Claus tells Kureha that he’ll protect her in her father’s place. As the line is fired over, Claus grabs the line and reaches for Kureha as the last bit of ground washes away, nobody can see if they have grabbed the line when Filicia orders it retrieved.

       As the line is pulled up, Claus has managed to hold on to Kureha, he says now that we’re safe I have to tell you that…..Kanata interrupts him saying she knows, he’s the one she admires. After it’s all over and a sunny day has dawned, Claus says that in the end he was more afraid of ruining someone’s dream than dying, so he’s a coward, but Kanata says she still admires him. Claus tells Kanata that most of the time what you see in a person and what they’re feeling is different, and admiring someone makes your vision blurry. Filicia asks Claus if he’ll stay till Kureha wakes up. No, he tells her to tell Kureha that his face wound is the most honorable wound he’s ever received. While this is taking place, we see Kureha sleeping while holding on to her beloved picture.  Well, that’s all for this watery episode.

       OK, this was a pretty nice episode that focused on Claus and Kureha. We find out that Claus wasn’t the famous Desert Wolf, he just didn’t have will to break Kureha’s hero worship. Hell, I really don’t blame Claus for letting Kureha go on about the whole thing, who doesn’t want to be worshiped by a cute girl from time to time.

       Also, it was nice getting some background on Kureha, and it goes a long way to explaining her attraction to Claus. We find out that Kureha’s father was tank commander who might have had some pretty good moments, and he met Kureha’s mother when he was wounded. Kureha told Claus that he’s how she pictured her father looking if he had lived. It seems that Kureha’s whole life has revolved around and been affected by the military, her father was a good tank commander, her mother was a military medic, and both died in the war and Kureha was an orphan until she was old enough to join the military which became her new family. So, It’s easy to see why Kureha would fall for a military guy who she pictures as the image of her brave and courageous fallen father, go for it girl, it’s better to marry a Major instead of a Private, better billets and pay.

       Well, Sora no Woto is continuing it’s cold path to the finish, like many slice of life anime series, Sora no Woto is showing a heavy seasonal influence, we began in the freshness of spring then lazily drifted through summer to feel a stormy fall, and are now heading to the cold embrace of winter’s kiss, the only question left is how cold it’s icy embrace will be for Rio and her friends.

Earth’s Answer, from Songs of Innocence and Experience by William Blake, 1794

Earth raised up her head
From the darkness dread and drear,
Her light fled,
Stony, dread,
And her locks covered with grey despair.

‘Prisoned on watery shore,
Starry jealousy does keep my den
Cold and hoar;
Weeping o’er,
I hear the father of the ancient men.

‘Selfish father of men!
Cruel, jealous, selfish fear!
Can delight,
Chained in night,
The virgins of youth and morning bear.

‘Does spring hide its joy,
When buds and blossoms grow?
Does the sower
Sow by night,
Or the ploughman in darkness plough?

‘Break this heavy chain,
That does freeze my bones around!
Selfish, vain,
Eternal bane,
That free love with bondage bound.’

       This episode begins with Sawako leaving her house for her first sleepover, after saying goodbye to her parents she heads off to school. At school, we see Ryuu run into Chizu in the hall and he’s about to tell her something when she get pulled away by Ayane and Sawako. Before walking off, Ryuu tells Chizu to not stop by his house tomorrow or the next day, and Ayane wonders if Chizu made Ryuu angry.

       Once the girls get to Chizu’s place we see that she’s steaming because she wanted to borrow a game from Ryuu for their sleepover, and Ayane asks Chizu what she did to make him mad. After explaining how she booted him out the other night, Chizu wonders what she’s going to do because one of her banned days is Ryuu’s birthday. Chizu gets really upset about not being able to give Ryuu his birthday gift. Ayane suggests that they drop it off tonight, and if he gets angry, so be it.

       Over at Ryuu’s place, we see that Kazehaya, Ryuu, and four other guys are hanging out and joking around when Chizu, Ayane, and Sawako walks in on them.  Well, it turns out that the boys were holding a party to cheer up Jo after his confession “crash and burn”, and soon a little bit of kidding takes place about how the broken hearted Ayane and Jo should hookup. After joking around for a while everyone just hangs out and chats, and Sawako just sort of enjoys taking it all in.

       When Ryuu gets up to get more stuff Chizu takes the opportunity to follow him and try to give him his gift. Chizu asks Ryuu, “Are you angry with me”?  Ryuu tells her, “no, but I can even be hurt being sent out like that”. Chizu says she’s sorry and she says she’s ready to listen to anything he has to say to her.

        Well, just as Ryuu begins to talk, Tooru walks inside the door. Tooru sees Chizu and calls her Chii, and she rushes over and begins to hug him. Tooru got off work early and came home a day early. During the confusion of Tooru’s arrival, Chizu gets a big shock when a young woman walks in behind Tooru. His girlfriend, Chizu asks? No, it’s my fiancée. Chizu turns as white as a ghost and goes into shock.

        After a few seconds, Tooru formally introduces his fiancée, Haruka Katayama, to his younger brother Ryuu, and to the girl he’s always loved as his younger sister, Chizu. After Tooru and Haruka have said their hellos, Kazehaya suggests that it’s time to break this party up and head home. So, everyone says their goodbyes to Ryuu and heads home. As Chizu turns towards home with a forced smile on her face Sawako wonders what she’s thinking.

       Later, Ryuu thanks Shota for getting everyone to leave because he says if he would have intervened Chizu would have gotten even more flustered. Ryuu tells Shota that he would have been alright with Chizu getting angry with him, but he’s pretty sure she’s depressed now.  As, Kazehaya is ridding off he realizes that Ryuu really loves Chizu.

       Back at Chizu place, after four hours of playing cards, Ayane asks Chizu if she alright. Chizu says she’s OK even though it’s clear that she’s not really OK. Ayane tells Chizu there are other guys in the sea, but that really doesn’t seem to cheer her up. It’s getting really late (4:30) so the girls decide to call it a night and hit the sack.

      Sawako falls asleep thinking about what happened to Chizu and her unrequited love. The next morning Sawako sees Chizu getting dressed, she reaches for the mini-skirt but changes her mind and goes for her regular stuff, and Sawako is at a loss for words. After Chizu sees Ayane and Sawako off, Sawako is upset to the point of tears because she could offer no support to Chizu, but Ayane says she didn’t offer much real support either.

       When Chizu gets to Ryuu’s house she hears laughter coming from inside and sits on the stoop thinking that she’s not really their daughter, not really their little sister, and she’s just a neighborhood kid. Chizu sits there thinking back to all her childhood memories of her trying to get Tooru’s attention; he never got mad and only smiled. Chizu says there were always girls around Tooru but none of them ever lasted, so that’s why she felt that she would have been his wife someday. Chizu gets up and heads towards home thinking that she won’t be the one living the dream of being Tooru’s wife. Well, that’s all.

      Well, it wasn’t much of a surprise watching Chizu’s unrequited love come crashing down in flames around her. In this episode and the last episode Sawako was quite happy watching Chizu bask in the joy of her unrequited love but Sawako is also learning that love is tough. In this episode we saw Chizu at her most girly, normally a tomboy, we watch her worry about her style, her appearance, and we see there’s a really a shy girl buried underneath her tough exterior. Chizu’s upbeat and happy mood about seeing Tooru was perfectly contrasted by Ryuu’s dark and foreboding mood.  

       The way the last couple of relationships have been going at Sawako’s school reminds me of the Lady Gaga song, Bad Romance. Let’s see, Jo gets shot down in flames, Kurumi can’t get what she wants, Ayane gets treated like shit, Chizu as reality crush her, and Ryuu’s love is in love with his older brother.

      I really felt bad for both Chizu and Ryuu; Chizu for having reality smash her dream, and for Ryuu being in a no win situation. Anyway Ryuu could have played this situation he would have ended up with Chizu becoming depressed over Tooru’s upcoming marriage, or Chizu being pissed at him for not telling her that Tooru was in town. So, maybe, it was best that Chizu found out about Tooru in the way she did.

      If I could do anything to shake this series up it would be to start shipping some crazy relationships; Ayane/Jo, Kurumi/Ryuu, and Pin/Chizu since they’re both dense. Oh-well, I guess I have to wait for 52 episodes before anyone even holds hands or shares a real kiss.

       This episode begins over breakfast with Kanata getting the lowdown on a mission the platoon must complete sometime today. Twice a year, HQ, located in the capital city, conducts a maintenance check on the phone line to ensure it’s in working order, and someone from the platoon must be present to answer the phone. Filicia and Rio go on to state the importance of not missing the call, and Kanata volunteers for phone duty.

          After breakfast, Kanata begins her phone watch, and she takes her mission very seriously, even going as far as practicing how she’ll answer the phone. After a little bit, Filicia and Kureha have to run some reports up to local HQ leaving Kanata with Rio and a missing and probably sleeping somewhere Noel.

       As lunchtime approaches, Rio stops by and asks Kanata what she wants for lunch. Well, Kanata tries her best to have Rio watch the phone, suggesting she’ll make lunch, but Rio wants to know why it seems that Kanata and Kureha have been trying to keep Rio out of the kitchen even when it’s her day. Kanata basically lets it slip that Rio’s cooking has a lot to be desired, and Rio says she was cooking just fine before you two came along.

      In the end, Kanata gets saved from Rio’s cooking because Naomi stops by bearing gifts and needing to talk with Rio. Naomi has brought some apple cider from where they get their apple juice, and Kanata asks if it’s related to our Calvados (their wine).  Naomi seems a bit startled that Kanata found out about their little bootlegging operation. Kanata finds out that some of their wine (?) will be given as a gift at the local guild meeting that’s being held tonight.

      While the girls eat a lunch prepared by Kanata, the subject of how Kanata discovered the bootlegging operation comes up, and Kanata tells Naomi that she’ll tell her that story another day.  Also, we find out that Naomi’s visit isn’t all fun and games when she tells Rio that she wants her to attend the guild meeting. Naomi tells Rio that she’s become quite popular after she played the Flame Maiden during the festival, plus the guild wants an explanation from the military about the news from the peace treaty conferences, it seems to be not going well. Rio tells Kanata that she has to do this, and Kanata’s all in now that she’s a Fortress Maiden, heart and soul (a full member of the criminal enterprise).

 

     Before Rio takes off, she gives Kanata a book of sheet music for the trumpet as a gift for all the hard work and practice she’s been putting in with her trumpet. Inside the front cover of the book, we see the name Fliya Arkadia written. 

      Later, it begins to rain and Kanata has to run outside and collect up the platoon’s laundry which has been drying on a clothesline outside. Just as Kanata drops the clothing in a corner some visitors stop by the fortress. The priest, Seiya, and Mishio and show up, and the priest tells Kanata that he stopped by to say goodbye since he’s leaving town. Kanata shares some of the cider with them and she also tells them about her phone mission. During their talk the priest mentions Rio, and he notices the name inscribed in Kanata’s trumpet book. Once the priest finds out that Kanata’s never used a phone he rigs up a tin and string play phone and has Kanata practice talking on the phone with Seiya.

 

      As Kanata and Seiya play phone, Mishio becomes attracted to the owl and spooks it while attempting to touch it. Well, the owl spooks Seiya, and all hell breaks loose; the priest ends up in the pile of girl’s underwear, Seiya ends up on the floor, and the phone goes flying. While Kanata saves the phone she ends up with cider spilled all over her. At that moment, Yumina walks in on the mess and chews out the priest and the kids for making a mess of the place. After Yumina helps Kanata clean up the place she gives Kanata a dress to wear that’s been donated but was too large for any of the kids to wear. As everyone is saying their goodbyes to Kanata, Seiya seems quite taken by Kanata and her cute, frilly dress.

      Now, Kanata left alone with the phone and a ever growing desire to pee. Since the phone cord stretches nowhere long enough to reach the bathroom she decides to hold it in. As times drags on, Kanata’s need to pee grows ever larger, and she begins to worry about pissing her pants. Kanata gives a quick thought to using a pail but decides to hope that someone will return soon.

      At the last moment, Rio returns from the guild meeting and relieves Kanata so she can use the bathroom. As Kanata rushes off to the head, the phone begins to ring and Rio comments on Kanata’s timing.  Rio gets stuck answering the phone, and she hears a voice that she didn’t want to hear.  The voice says I heard we were confirming your phone line so I insisted, and Rio makes a disgusted sound, and the voice asks Rio if you’re going to run, no. So, you still haven’t forgiven me.  Rio asks, what do you want after all this time. Please, I want you to save this country, save Helvetia.

        While Rio is taking the phone call, Kanata rushes to the bathroom and almost runs into Noel who’s exiting the bathroom. In an attempt to avoid a collision with Noel, Kanata ends up on the ground and ready to burst her kidneys. Kanata learns that Noel had spent the entire day sleeping in the bathroom, oh, the irony. Just then, Filicia and Kureha walk in on the scene, and after assessing the situation they help up a frozen in place Kanata leading to a breaking of the dam (?). Well, that’s all for this fluid episode. 

      Well, this episode was very interesting and intriguing for several reasons, and it seemed to have set in motion the buildup for the final story arc. But, before I get to the major points, I have to say that watching Kanata perform her phone watch was very funny. Lesson 1 Kanata, NEVER VOLUNTEER FOR SHIT! Leaving that aside, Kanata took her phone duty very seriously and followed her three general orders to a tee, but someone should have taught Kanata the additional two unofficial general orders.

The Three Official General Orders.

1. I will guard everything within the limits of my post and quit my post only when properly relieved.

2. I will obey my special orders and perform all of my duties in a military manner.

3. I will report violations of my special orders, emergencies, and anything not covered in my instructions to the commander of the relief.

 The Two Unofficial Additional General Orders.

4. I will guard my post from flank to flank and take no shit from any rank.

5. Fuck it!

      If I was Kanata I would have been really pissed at Noel for not checking on me. I mean, come on, it’s the job of NCOs to check on the welfare of the junior troops when pulling guard duty, she failed as an NCO.

      Now, to the real meat of the episode, foreboding and foreshadowing. While this series has been walking a fine line between fluffy moe and more serious dark leanings this episode firmly places Sora no Woto down the path of a darker, sadder, and probably more meaningful ending. While this series has been hinting at the possibility that Rio was very important or even royalty, this episode pretty much confirmed Rio’s status as a VIP. I don’t really understand the source or reasons for Rio’s estrangement from her father. I thought that how he asked Rio not to help him but to save this country was an important indicator to how bad their relationship really is; her father had to call on Rio’s responsibility to country not family.

      To me, the foreshadowing in this series has been very heavy, beginning with the seasonal hints of how the freshness of spring moved to the lazy, slow day’s of summer, and how summer is now giving way to the stormy days of fall to be followed by the cold embrace of winter. The foreboding and foreshadowing in this episode also was reflected by the mood of the guilds members over the news of how the peace negotiations aren’t going very well, they wanted reassurances directly from the uniformed military not a BS press release. When the series first began I had figured that if anyone was going to be sacrificed it was going to be Filicia, but now I’m pretty certain that’s its Rio who’s going to have to pay her pound of flesh. The only real question will be what the form and nature of the sacrifice that Rio will be asked to make, and I think that she’ll most likely be asked to give up her freedom in form, maybe via marriage or assumption of the throne. So, I think Sora no Woto will end with the sadness of the girls having to part ways with Rio having to sacrifice freedom, joy, and happiness for duty, honor, and country.

        Well, this episode begins with Filicia having a dream/flashback from the war. In her flashback, Filicia’s a young member of a tank crew that’s just destroyed an enemy tank, and the tank commander orders the communications officer to signal the rear and orders Filicia to back her up. As the bugler is signaling the rear, Filicia notices an enemy tank on their flank, but it’s too late. The enemy tank fires a shell at point blank range, Filicia’s tank is destroyed and Filicia is blown out the hatch, shaken and injured, she’s the sole survivor.

        Well, summer is fully upon the fortress, and it seems that the local version of Obon is near. Kanata spends her time making food offerings for the deceased in the shape of animals. Kureha inquires about Obon and Noel explains the purpose and origin of the festival; Kureha freaks out about the idea of the dead returning.

        Later, we see Rio and Filicia returning from the town with additional materials for the festival, and we also discover that the local church is in on the festival even though the main church would frown upon the practice. Kanata explains to the platoon how her town/village would celebrate Obon, the making of food animals, the Bon-Odori (the Bon Dance), and so forth.

     While all this talk of the Bon festival is going on, Filicia cuts her hand and has another flashback of the war. This time we see a heavily injured Filicia traveling through an active combat zone in an attempt to make it back to friendly lines. Filicia encounters rifle fire, machinegun fire, canon fire, and tank fire; it’s like hell on Earth. When Filicia comes out of her daze Kureha says it’s not like her to make Kanata-like mistakes. Filicia says it’s been hot and she hasn’t been able to sleep much and walks off.  Kanata is about to go after Filicia but Rio stops her and says to leave her alone because there are things she doesn’t want other people to know.

       Noel goes after Filicia saying she knows about what happened first hand, and she finds Filicia standing next to the tank lost in thought. We see that Filicia is remembering different experiences she had with her dead tank squad mates, and we hear them discussing the war and the end of the world.

       Then the scene switches back to Filicia’s combat experience and we see must have been knocked unconscious from a shell blast and now she’s waking up to find that she’s fallen from the active combat zone into a basement where she discovers a dead soldier who’s written his last words in what appears to be Japanese style writing. Filicia lights a small fire and begins to cry for all her fallen squad mates wondering why she’s the only one left alive. Then the dead soldier begins to speak to Filicia, and once he realizes that there are survivors left in the world he apologizes to her. The soldier says he’s sorry for losing to “them”, and we see a battle scene that looks like it was a terminator-like, man vs. machine war, with the humans resorting to nuclear weapons at the end. The dead soldier asks Filicia “so, you’re the last remnants of humanity”, and he goes on to tell Filicia that the world will never regain its former glory so why not end it. He asks her if surviving in a world like this is really worth it, and as she’s tries to answer him she hears a bugle (amazing grace) call in the distance. The bugle call snaps Filicia back to reality and she begins to yell that she’s trapped below and someone needs to save her.

        Soon, someone breaks through from above and lowers themselves to rescue Filicia, and we that it’s the woman from Kanata’s memory, the woman from Rio’s past, and it turns out to be Princess Iria.

     Later that night, as Kanata, Noel, and Kureha are playing with fireworks, Felicia and Rio have a serious talk about duty, the past, and what happens if “they” come back. Rio gets mad at Filicia and tells her not to carry all the weight herself, and Filicia agrees to tell her. But, Filicia starts up with BS and Rio gets mad and asks her directly what happened at the front.

       At that very moment, the town is beginning to send the lanterns down the river, so Filicia decides the platoon should join them at the river. Everyone but Noel has made a lantern, and we see that Filicia’s lantern contains the name of her fallen comrades plus the unknown Japanese soldier. Kanata tells Filicia that since she makes her worry so much she would listen to any of her problems and she tells Filicia that she loves her; Filicia says she loves Kanata too. Filicia hugs Kanata and tells her to stay the same, and she also hugs Kureha, and Noel.  As each girl places their lantern in the river they say a little prayer for their departed ones; Kureha for her parents, Filicia for her comrades and Rio for her mother and sister. As Rio is placing her lantern in the river the priest sees her and says that girl is ……..

        Later, Filicia and Rio continue their conversation about whether or not there is some meaning in this world and Filicia tells Rio that since she was the sole survivor this question has haunted her and she’s come to the conclusion that there isn’t any. Later, Filicia points to all the people and asks Rio, isn’t this wonderful, and she goes on to tell Rio that her meaning is to be here because she doesn’t want them to suffer like she did. Well, that’s all for this episode.

        Well, each additional episode of Sora no Woto continues to impress me with how writer manage to give just enough additional information to keep me hooked. This episode gave us quite a bit of history about the latest war and the “great war/cataclysm”. Firstly, we learned from the dead soldier that Japanese-Asian culture and technology had spread across the European/Asian continents (it’s never explained if this occurred by means of war, or more likely due to natural population expansion on one side and depopulation on the other side), and they failed to protect the population of “them”. Well, the use of “them” is quite interesting, because, to me, that word would seem to imply that they were fighting something “other”, meaning other than human. So, what I’m going to assume is the “them” was some form of human technology or AI that got out of control ala The Matrix or The Terminator; I know I’m jumping to an conclusion by excluding the possibility of some sort of alien invasion or just a plain old human vs. human war of annihilation, but I’m leaping. Also, it seems that nuclear weapons were used as a final option to stop the attack, and the dead soldier makes it pretty clear that he doesn’t think very highly of the way life is going.

       Filicia’s war flashbacks were quite a contrast to the flashbacks of the “great cataclysm”. In the “great cataclysm” we see war and destruction on a global scale, masses of modern armor and cities being leveled, but through Filicia’s eyes we see the brutal nature of war up close and personal.  In combat, the job of any combat arms soldier is to close with the enemy and kill them, its kill or be killed, and you pray that you’re better trained, better equipped, or just plain luckier than the other guys. Filicia’s battle experiences show us the arbitrary nature of warfare, one minute you’re moving through the fog of battle making a kill, and the next minute you’re the hunted. I felt that Filicia’s reaction to being wounded and the sole survivor was pretty spot on; I could really understand how she would be left wondering “why me, there has to be a reason”.

       The conversation that Filicia has with the dead soldier where he asked her if life was worth living in its current state reminded me of some similar conversations that took place between Princess Nausicaa and the Keeper of the Garden, and then with Master of the Crypt of Shuwa. In those conversations the Keeper and the Master both try to convince Princess Nausicaa that life is too miserable to bother going on with.  They use the argument that because of all the suffering, all the death, all the pain, and all the struggling wouldn’t it just be easier to just give in, and fade away. Nausicaa and Filicia both reject the offer for similar reasons even thought it takes Filicia longer to come to her understanding of why.   

       When Nausicaa has her confrontation with the Master of the Crypt of Shuwa she is told that the path of humanity only leads to more suffering and possible extinction, so give in and let the current humans die out and be replaced by genetic engineered humanoids that were created to replace the current humans once they die out. The Master tells Nausicaa that this is the true path of light, the path of science and technology. No, Nausicaa rejects their offer as a false light, human life is right, and the human ability to adapt and survive should the sole determinate of whether human life continues or fades away, while humans may struggle and suffer there’s a beauty and righteousness to the human will to live that must be defended. In the end, Nausicaa destroys the Keeper and the Crypt leaving humans and their ability to adapt and evolve to determine their own fate.

       So, when Filicia tells Rio that she’s come to the conclusion that life has no meaning, but she tell Rio isn’t it beautiful, she’s come to Nausicaa’s conclusion, there’s beauty in the everyday struggle to live, love, and survive, she treasures Kanata’s innocence and vitality, so her meaning is to protect these treasures. This is the same lesson that the priest was trying to explain to Kanata in the previous episode; there’s sadness and bravery as humans struggle to live in the face of loss.

       I also loved how Kanata’s cheerful mood concerning Obon contrasted with Filicia’s more somber mood. While Kanata probably views Obon more as a welcome back to lost relatives who died at their proper ages, Felicia views Obon through the experience of having lost friends and comrades too soon in the flower of their youth. This difference is kind of like how Americans who’ve lost close friends, relatives, or comrades to war observe Memorial Day differently than people who’ve just view it as another day off.

        This episode also gave me some interesting food for thought concerning Rio, and Noel. It was heavily inferred that Rio is most likely a Princess, maybe the younger sister of Princess Iria. This would explain the vibe that I’ve been getting that Rio’s father was a high ranking military officer and they’ve had a falling out, ala Eika and her father from Sky Girls. This episode also let us know that there’s more of a connection between Noel and Filicia than we were lead to believe since Noel admitted to have firsthand knowledge of Filicia’s combat incident.

       Overall, this was another great episode that manages to keep a good balance between a series that could be considered lighthearted slice-of- life moe and a series that could head in a much darker direction, all I know is that I’m hooked.

For those who think that war is sometimes glorified and coveted by soldiers, remember the words of General Douglas MacArthur from his farewell speech at West Point May 12, 1962.

“…..This does not mean that you are warmongers. On the contrary, the soldier above all other people prays for peace, for he must suffer and bear the deepest wounds and scars of war. But always in our ears ring the ominous words of Plato, that wisest of all philosophers: “Only the dead have seen the end of war.”