Well, the decade of the 2000’s have left us and now it’s time to reflect on the anime series and films that given us so much enjoyment over these last ten years. So, in this first post I’ll be listing what I feel are my top ten anime films of the past decade. When I first started working on this list I thought it would be a pretty difficult process but the movie list turned out to be pretty easy because cream raises to the top and I feel the cream was pretty easy to spot.

#10     Card Captor Sakura Movie 2 (2000)

       For lovers of Cardcaptor Sakura, and the magic girl genre in general, there was no greater movie treat than the sealed card movie. This film featured top notch animation, a great story, good music, and the beloved cast from Cardcaptor Sakura. The cherry on top of this great cake is that Sakura is finally able to come to terms with, and communicate her true feelings for Syaoran. 


#9      Voices of a Distant Star (2002)

      A short 25 minute in length movie created, directed, produced, and animated entirely by Shinaki Makoto on his Macintosh computer. Makoto and his girlfriend also provided the voices for the two main characters. This small film is a beautiful meditation on love and how it’s affected by the time and the distance of separation caused by war.

       “We’re born alone, we live alone, we die alone. Only through our love and friendship can we create the illusion for the moment that we’re not alone.” Orson Welles


#8        5cm per Second (2007)

      This film by Shinaki Makoto is a must see for anyone who loves a good romance or drama, it has it all, great animation, great story, and great dialogue. This film demonstrates more quality in its 90 minutes than other anime do in 100 episodes.

       This film is another meditation on first loves, distance and separation, and features the relationship between Takaki and Akira featuring the concept of mono no aware, which is often translated to mean the Ah-ness of things, or the sadness of all things. Meaning that Takaki and Akari love is extremely sweet, and sad at the same time, just like the cherry blossoms, while beautiful and awe inspiring, they only last a short time. Short but sweet, with just a little taste of bitterness and pain, just like teenage love, while that love may not be the one to last a lifetime, you’ll always remember it.


#7        The Place Promised in Our Early Days (2004)

       Another Shinaki Makoto film set in an alternate reality Japan where the country is divided with the south being protected by the United Sates and the northern part being controlled by the Soviet Union, and features the relationship and childhood promises made between childhood friends Takuya and Hiroki, and a girl named Sayuri. After Sayuri disappears each boy takes a different path, but years later each boy must come to terms with their loyalties and decide whether or not they need to honor a promise they made to Sayuri years ago.


#6       Cowboy Bebop, the movie (2001)

       As a great lover of the Cowboy Bebop series, this film was just like a Cowboy Bebop episode with the exception that it was bigger, better, and more bad assed than even, enough said.


#5       Metropolis, the Movie (2001)

       Metropolis is an anime based on Osamu Tezuka’s manga with influences from the German film of the same name.  This film was directed by Rintaro, with Akira’s creator Katsuhiro Otomo doing the script writing. This film is a great work of creative art and has some of the best animation I’ve ever seen, and is a must see for any fan of film.


 #4      The Girl Who Leapt Through Time (2006)

       This film is a very touching human tale of friendship, love, and learning to grow up. The film is also a cautionary about the lure of changing the future, and all the unintended consequences that those decisions entail.


#3        Tokyo Godfathers (2003)

       The plot of Tokyo Godfathers revolves around three homeless people finding a newborn baby in the trash on Christmas Eve and their quest to find the baby’s parents. Throughout the trio’s quest to return the baby to its parents we come to learn about each of the homeless person’s background. This film is a tale of miscommunications, regrets, and ultimately, a tale of the search individual redemption.


#2       Millennium Actress (2001)

        A film within a film, Millennium Actress is the story of a film director named Genya working on docutmary film about a famous aging actress named Chiyoko. While interviewing Chiyoko, the director slowly gets Chiyoko to reveal her life story to the audience, and that story is told in the form of flashbacks using famous moments of Japanese history and filmmaking. This movie is for those who love storytelling at its finest, compare to Cinema Paradiso.


 #1     Spirited Away (2001)

       Spirited Away begins with the simple premise of a ten year old socially withdrawn girl named Chihiro getting sucked into an Alice in Wonderland type of adventure in an attempt to save her parents and regain her identity, and takes us on an adventure of visual and emotional wonder. Many, including me consider this film to be Hayao Miyazaki’s masterwork, while many non-Japanese enjoy and appreciate anime, this film made many people not familiar with the art form stop and take notice. All, I can say is that if you haven’t seen Spirited Away then you haven’t seen anime.

       If you think I’m over stating Spirited Away’s  impact or power, here’s a list of where respected critics and magazines have placed Spirited Away in their best films of the decade lists (these lists include all films, not just animated features).

#8 Spirited Away (Film School Rejects)

#21 Spirited Away (Film Comment)

#22 Spirited Away (Cinematical)

#4 Spirited Away (The Hurst Review)

#3 Spirited Away (Jeff Meyers, editor Metromode)

#2 Spirited Away (Vanity Fair)

Borrowed from the Vanity Fair review.

        “You may have a noticed surprising absence of Pixar work on this list despite the fact that no company has made more money, impressed more critics, and pleased more audiences than the bastard love child of Steve Jobs and John Lasseter. True, each Pixar film is a gem in its own right, and it’s widely rumored that the devil has gross points on Lasseter’s soul. However, if you’re talking animation with an unparalleled power to provoke pure wonder and wide-eyed enchantment, even Lasseter would gladly bow down to Hayao Miyazaki. Watching this film is not only to feel like a child again, it’s to dream like a child again.”

For my ninth post in the “12 moments of anime 2009” series I’m choosing my experience seeing Ponyo at real movie theater.

        While I have seen thousands of episode of anime and over 100 hundred anime films seldom do I get to view anime films the way they’re meant to be seen, in a real movie theater. Over my long years of anime viewing I’ve seen anime films, and for the most part I’ve viewed these films at anime club, or watched these films from VHS tape or DVD at my house. While these viewing methods are great when it’s the only viable viewing method available a movie is really meant to be viewed and experienced on the big screen.

        Over the years, I’ve only had the good fortune to see a couple of anime films in full theater glory and I have to say that you can tell the difference between watching a film in the theater vs the best home movie equipment. So, this past August I had the pleasure watching Hayao Miyazaki’s Ponyo on the Cliff AKA Ponyo at a Digital Cinema movie theater.

        Seeing Ponyo in the theater reaffirmed just how good anime films can be when you watch them as they were intended to be seen, and made me wonder how much more I would had loved 5 Centimeters Per Second & The Place Promised in Our Early Days if I would have had a similar viewing experience.

As I was skimming the AnimeNation news blog I spotted a bit of wonderful news; Isao Takahata , legendary anime director and co-founder of Studio Ghibli will make “The Tale of the Bamboo Cutter”, (AKA Taketori Monogatari, or Kaguya Hime no Monogatari) his next film.

The Tale of the Bamboo Cutter or  Kaguya Hime no Monogatari is one of Japan’s oldest and most beloved fairy tale. The first written reference of this tale that I can find comes from the Konjaku Monogatarishū AKA “Tales from the past”, a collection of myths from Japan’s distant past written around the 12th century. Since the tale of Princess Kaguya is one Japan’s most beloved fairy tales/myths is been referenced in so many anime and manga it’s almost too many to count. Because this tale probably was transmitted orally before it was put to written word several different versions, both long and short exist. Below, I’ll give a a quick telling of my favorite version.

Tale of the Bamboo Princess

The Tale of the Bamboo Cutter

“Once upon a time” (my words),

       There lived a poor bamboo cutter who was one day cutting bamboo in his fields when he beheld a wondrous light, bending down to have a closer look he saw a beautiful creature in the heart of the reed, the girl was only four inches tall. The bamboo cutter picked the small girl up and took her home to his wife, and together they raised her in a small basket. As the days went by, every time the cutter returned to his fields to do his cutting work he found gold, and soon the cutter and his wife became very rich.

       After a period of only three months the girl grew from her small stature to a fully grown maid, the most beautiful maid in the whole land. When the bamboo cutter decided to name his daughter her held a feast and named her Lady Kaguya or (Precious Slender Bamboo of the Field of Autumn). As the story of Lady Kaguya’s beauty spread throughout the land many suitors showed up at the bamboo cutter’s house attempting to win her love. After a long period of time all but five of the men went home and finally the remaining five men (all Noblemen) asked the bamboo cutter to bestow his daughter to one of them, to which, he replied that since Lady Kaguya really wasn’t his real daughter she wasn’t required to follow his wishes. Even thought the five men eventually went home they still kept asking the bamboo cutter for his daughter’s hand in marriage.

         The bamboo cutter soon became bothered by the men’s demands for his daughter’s hand and he went to her and said it would be fitting for such a handsome and fair maid to marry one of the noblemen, to which, she replied that I’m not so fair to be able to trust myself to choose marriage to an untested heart. So, it was soon arranged that all five noblemen were summoned before Lady Kaguya and each nobleman was be given a difficult task to complete, and the one that succeeded would marry Lady Kaguya.

      The first nobleman, Prince Ishizukuri, was told to travel to northern India and bring back the stone beggar bowl that the Buddha himself had used. The second nobleman, Prince Kuramochi, was told to travel to a mountain named Horai where a tree grows that has silver roots, a golden trunk, and bears fruit of pure white jade and bring back a branch. The third nobleman, Sadaijin Dainagon, was told to find and have fashioned a robe made of the pelts of flame proof rats for Lady Kaguya. The fourth nobleman, Chiunagon, was told to bring back the rainbow hued jewel that’s hidden inside a dragon’s head. The fifth and final nobleman, lord Iso, was told to find and return with the cowry-shell that the swallow carries over the sea plain.

        The noblemen departed to complete their tasks, and over the course of several years either tried to fake, steal, or just plain failed to complete their assigned tasks and Lady Kaguya rejected all five of the noblemen. Soon the news of Lady Kaguya’s beauty eventually reached the Mikado (Emperor of Japan) so he sent one of his palace ladies to meet with, and report back to him everything about Lady Kaguya, but Lady Kaguya refused to meet with her. The Mikado soon sends for the bamboo cutter and his daughter to report to the palace with the reward of a noble title to be awarded to the bamboo cutter. After talking with his daughter, Lady Kaguya tells her father that if she’s forced to his house she’ll die, so the price of his nobility will be his daughter’s life. The bamboo cutter travels to the palace and tells the Mikado of his daughter decision, and the Mikado is so interested in seeing Lady Kaguya that he arranges a royal hunt so he can stop by for a visit the bamboo cutter’s house.

        When the Mikado enters the bamboo cutter’s house he sees a wondrous light and finds its source is Lady Kaguya, as he gets a glimpse of her face she disappears. Knowing that Lady Kaguya is no mortal woman he begs for her to return, and she does. The Mikado pleads his love for Lady Kaguya, but Lady Kaguya tells him that she must remain at this house, so the Mikado departs in sadness. In the seventh month of the third year after the royal visit, Lady Kaguya looks upon the full moon with sadness and pain, and Lady Kaguya tells her father that the sight of the moon causes her to reflect on the sadness of the world. The next month, Lady Kaguya tells her maids that she’s no mortal woman but was born in the palace of the moon kingdom, and will soon leave this world and depart for her birthplace. . When the bamboo cutter finds out that his daughter would soon depart he becomes angry and informs the Mikado, who sends a whole company to prevent her departure.

     On the night of the next full moon, a great cloud descends from the moon bringing with it a great host of moon-folk, and a glorious carriage. The troop of soldiers tries to prevent the moon-folk from landing but all their arrows miss the mark, and the leader of the moon-folk orders the bamboo cutter to bring forth Lady Kaguya, the power of his command opens all the locked doors, and Lady Kaguya comes forth. The commander tells Lady Kaguya that it’s time to leave this sorry world, and just as she’s about to depart she hands the bamboo cutter a scroll which says that she’s sorry for causing him pain and that if she was born to this world she would have not caused her father pain. Lady Kaguya also says that because her father loved her so well, she’ll leave behind her silken mantle as a memorial so he can gaze upon it when the moon shines and he can remember his daughter.

    Then the moon-folk bring forward a coffer that contains a Celestial Robe of Feathers and a small portion of the Elixir of Life, and after Lady Kaguya drinks some of the Elixir of life the moon-folk   attempt to place the Robe of Feathers over her back but she stops them. She tells the moon-folk that she still has something to do; Lady Kaguya proceeds to write a message to the Mikado, and she gives the scroll and the remaining Elixir of Life to the troop commander. Once Lady Kaguya places the Robe of Feathers over her back all her memories of the mortal world are erased and she departs with the moon-folk to return to the moon.

        The message to the Mikado says that while he desired to be with her, it was not permitted to be, and that basically she wanted to be with him but she was forbidden to do so, and that caused great pain to her heart, so she’s sorry.

       After the Mikado read the letter his heart was so overcome with sadness that he ordered his commander to take the scroll along with the Elixir of life to the top of the highest mountain in Suruga and burn them. His loyal commander, following the Mikado’s orders, climbed to the summit of the tallest mountain and carried out the Mikado’s orders. From that time forward men would look upon that mountain and say that the smoke rising from its peak mingles with the clouds of heaven, and that mountain is now called Fuji-yama, the never dying.

This is a wonderful tale that showcases how the Japanese love of nature is linked with the divine, and I’m sure that when Studio Ghibli completes this movie it’ll be a monster hit in Japan.