I'm sorry Yuki 

       This episode begins with Touya waking up in a hotel room from a dream of his childhood, Yayoi has left him a note saying she’s in the lobby’s cafe. Touya joins Yayoi who’s already eaten, and Touya thanks her for not destroying Yuki’s letter to him (I thought it was destroyed). Soon, Yayoi tells Touya about the upcoming Venus music festival hosted by Touou TV, only young female singers can enter, and the festival decides the future singing stars. Touya asks Yayoi about Rina and the festival, she says that Rina had two chances to enter but she was always scheduled for other jobs. Eiji’s doing? Yayoi says that’s probably right. And this year? Yayoi says who knows.

Thank You Yayoi 

       Touya and Yayoi continue to talk about the festival and he finds out that only one singer can enter from each production company, so it’s Yuki or Rina. She tells Touya that Yuki doesn’t know about this, and she goes on to tell Touya that he should realise that his should be the end of his & Yuki’s love.

it's about time you accept

your love is over 

       Next, we see that Misaki and Akira had to take Touya’s dad back to the hospital and they left him a message on his answering machine. Then we see Touya walking home after he refuses to let Yayoi drive him home, and we see him buying another copy of Yuki’s single from a music store. When Touya finally gets home he listens to Akira message telling him to hurry to the hospital because his father has gotten worse.

Yuki's CD 

       Later, we see Yayoi picking up Yuki at her apartment, and Yuki notices that something is bothering Yayoi. Then we see Touya finally arriving at the hospital, and then we see him telling Misaki that his father just had a blood pressure spike and that he’s going to be alright. Misaki then tells Touya that she knows that Yayoi has been picking him up at Echoes, and does Yuki know? He, says it was just once, and Misaki says, so Yayoi takes care of Yuki and him? Touya just leaves it at that.

She often comes to pick you up 

       Later, as Misaki is leaving the hospital she overhears Touya talking with his uncle, she finds out that his father is much worse off than Touya’s been telling everyone, and she also hears that if his tests don’t come out OK they might not be able to operate. Misaki goes back to visit Touya’s father, he thanks her for the nice time he had, and he also tells her to get along with Akira. He goes on to tell her to forget about his son, and she says she’s sorry.

forget about my son 

       Later, we see Mana and Haruka still hanging out, Haruka asks Mana about Touya, and she dodges the question. Then we see Yuki trying to get in contact with Touya asks about his father and so forth. But, as time passe, we see that Touya’s is spending all his time at the hospital, and he’s even doing all his college studying there.

Touya with his father 

       Then we see a meeting at the production office that includes Eiji, Rina, Yuki, and their managers. Well, the topic of the meeting is the Venus festival, and Rina says she knew this would come up. Eiji says, so you don’t want to enter, and Rina says you know that I’ve always wanted to enter. Well, as Eiji is trying to say that Yuki will be chosen Rina says she’ll save him the trouble by saying that she’s quiting her brother’s  production  company and going solo.

you've avoided the subject 

       After Rina says this and leaves the meeting Yuki goes into shock, Yuki tries to stop Rina from leaving the room but Rina walks out the door. Yuki goes to chase Rina down, she catches Rina, but Rina separates herself from Yuki, and says she’s sorry. Yuki tries to get Eiji and Yayoi to stop Rina from quitting, and Yayoi tells Yuki to wait in the car, and she’ll drive her to Rina’s house.

goodbye Yuki 

       When Eiji and Yayoi are finally alone, she tells him that it’s Hiraki who’s been following her and taking picture. Eiji says he’ll handle it by telling him he’ll not notice his activities or he’ll take legal action. He asks Yayoi is she’s OK? Yes. And the youngster? There’s nothing between us. Eiji tells Yayoi that if Yuki’s hurt he won’t forgive her.

I won't forgive you 

       Then the scene switches to Echoes where we see that Misaki is now working there, and we see Mana and Haruka stopping by for a visit. Then we see Eiji thinking about all the things that have happen with Yuki and Rina when he gets a call from Kanzaki asking for a meeting. Then we see Yayoi and Yuki stopping Rina’s car because Yuki wants to talk with her, but we also see that Rina is avoiding the meeting with Yuki. The episode finishes with Touya hearing Yuki’s voice on the answering machine saying she wants to hear from him, and he seems like he’s almost in tears after hearing her call.

Yuki chasing Rina

       Well, this was one hell of an episode, and the shits really hitting the fan now. So, we find out the stalker wasn’t Eiji but Hiraki, and now Eiji will look the other way, but if Hiraki doesn’t quit his activities he’ll sue him. But, what was really interesting is trying to figure out what the hells up with Eiji’s and Rina’s relationship; why did Eiji stop Rina from entering Venus in the past, why is Eiji using Rina as a stepping stone of Yuki, and why the hell doesn’t Eiji have any loyalty towards his sister after all the years they’re been together?

       I really liked how Rina finally decided to break with Eiji after she comes to the conclusion that he really doesn’t care about her career, she’s got more balls than all the men in this series put together. It was also quite interesting to see that Touya knew all along that his father was in much worse shape than anyone knew, and as his father’s condition worsens he’s right by his side. Also, it’s quite funny seeing how all the girls still want Touya including Yuki, Misaki, Mana, Haruka, and even Yayoi seems to like his magic stick more than would have been necessary to expose the stalker. I continue to find Eiji to be really strange, while he doesn’t want Yuki hurt, he knows about Yayoi and Touya. Well, it’ll be really interesting to see Yuki’s reactions when she finally realises that she’s just a plaything in Eiji’s game, maybe she’ll quit and join Rina’s new production company.

Yayoi looking quite gentle 

     This episode begins with Touya’s father asking a nurse about his son, and she tells him that he left for home without waking him which he knows is BS. Then we see Yayoi leaving Touya’s apartment after it looks like they had a night of sex, Yayoi looks happy, and Touya looks, well……….indifferent. Later, Mana blows off Touya’s tutoring appointment because she really wants to hang out with Haruka and not study.

 Touya after sex

Yayoi after sex

      Once Touya hangs up the phone he sees Yuki waiting to speak with him, so they head to the roof of the hospital for a talk. They talk for a while and Yuki tells Touya about her lessons being cancelled, and she sort of breaks down and starts crying over her uncertainty about her performance. Yuki starts to tell Touya that no matter how much time passes she never….(changes) but, doesn’t finish. Yuki even tells Touya that Eiji must have tired of her so that’s why he cancelled her lessons. Just when thing seem really bad for Yuki, Touya offers her the comfort she needs at that very moment.

Yuki and Touya together 

      Later that evening, we see that Yuki goes looking for Eiji, and she searches all his known haunts. Then we see Touya with his father at the hospital, his father assumes that Touya is spending his nights with Yuki, and Touya doesn’t deny his father’s assumptions. He then asks Touya if he hasn’t gotten sick of her yet? After some talking, they basically get to what I feel is the heart of their disagreement, Touya’s father assumes that Touya’s a young punk who’s never experienced any of the hardships, or sadnesses of life, and Touya thinks his father has let all his sad experiences in  life beat him down, so now he’s happy being alone.

you never cry TouyaI don't have all those experiancesyou had plenty of friends and lovers

I'm fine all alone

I don't want to be alone

      Then we switch to Eiji talking with Franky about the painting, and he tells Franky that when he saw the painting he felt three sadnesses inside of it, the sadness of losing something, the sadness of understanding your loss, and the sadness of having something right in front of you and not being able to grab it. He feels that the painting was his mother, even though he never met her. At that moment, Yuki show up and Eiji tells her that he cancelled her lesson because of his own reasons that have nothing to do with her. Then Eiji goes all weird on Yuki telling her she needs more happiness in her life, and then he tells Yuki to share her happiness on him because he’s been overcome with depression.

the sadness of the painting

Yuki please save me 

      Later that evening, we see Touya looking for Misaki, and we see that Mana and Haruka are still hanging out. Later on, we see Yayoi picking up Yuki and telling her that Eiji told her to make Yuki happy. Then we see Touya making his way back to the hospital to see his father where he finds Misaki and Akira visiting his father, and he asks them what they’re doing for New Years? Then we see that Misaki and Akira have taken Touya’s father back to his house for New Year’s eve, but, of course, Touya had other commitments. We also see that Mana left a note telling her mother that she’ll be hanging out with Haruka instead of her, and we see the two of them hanging out at Haruka’s family’s country house.

He said to make you happy 

      As, Touya’s sitting at home watching Rina doing a TV concert his doorbell rings, and we see that Yayoi has chaperoned Yuki over to his apartment for a visit. As Touya and Yuki are standing on his balcony, Yuki struggles to convey her feelings to Touya but he settles the matter by zooming in and kissing her, in the background we hear the Buddhist bells tolling. 

      Culture Note ( As midnight of New Year’s eve approaches, Buddhist temples will slowly toll its bell 108 times symbolising the cleansing of the 108 sins/sadnesses from the world leaving the world with a clean slate for the New Year. Also, it is quite common in Japan and other Buddhist countries to pay a visit to the local shrine/temple right after midnight (hatsumoude in Japanese) then hangout with family or friends and watch the sun rise on New Year’s morning. I actually did something similar with my Korean friends when I lived there back in 1988 & 1989.)

Touya kissing Yuki 

     As Touya continues to lay kisses on Yuki he can see that Yayoi is watching everything they’re doing. Then we see Yayoi taking a picture of Yuki and Touya (proof of Yuki’s happiness for Eiji?), and we see Misaki, Akira, and Touya’s father getting their pictures taken, we also see Rina getting bombarded by photographers after her concert.

Touya kissing Yuki as Yayoi watchesThe picture for EijiThe New Years Picture 

      Later, we see that Touya wants Yuki to visit the shrine with him, but when we see him there, we see that he’s alone. As the sun rises, we see Haruka and Mana watching it rise outside her broken down cottage, we see the two Sakura-dan girls riding a train to somewhere, we see Akira wanting to have sex with Misaki but she refuses him, and we see Touya going to meet Yayoi at Echoes. While Touya’s waiting outside the club Eiji sees him getting into Yayoi’s car and he flips out, he rants to himself about “they know”. As Yayoi drives off with Touya he tells her that he visited the shrine, and she tells him that’s good because it saves her the trouble. Well, that’s all for this episode.

it's been one month already

They Know

      Well, as the start  of second season of White Album approached, I really didn’t know if I wanted to continue blogging this anime because I had developed a love/hate relationship with the series. While I loved the complex and intertwining plot threads I began to hate the frustrations most of the characters where experiencing in their personal lives. But, I decided to give the second season a few episodes before I would make a decision on whether or not to drop the series, and finally I was rewarded by beginning to understand what the causes of all the unhappiness surrounding the characters.

“All happy families are happy alike, all unhappy families are unhappy in their own way.”, Leo Tolstoy from Anna Karenina (1877)

     First of all, let me say that the cast of White Album has to be the biggest group of unhappy son of bitches ever to grace an anime series.

As the Beatles asked in Eleanor Rigby

 All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?

Well, all the lonely people come from the White Album series, and they belong with each other.

      OK, enough ranting for now. What I really liked about this episode was that I finally got enough character development to begin to understand the cause/source of Touya’s problems with his father, and what likely is the source of his wanton womanizing. When the series first began I pretty much thought that Touya and his father didn’t get along because Touya was a lazy piece of shit, but now I understand that their problems are much deeper than that. After the death of Touya’s mother it seems that Touya’s father allowed the grief of his wife’s death to crush his spirit, and also caused him to lose all his lust for life, it must have been pure misary for Touya to live in that house. Touya’s father hates Touya because he feels that Touya’s a punk because he’s not experienced the pain of loss that comes with age. I feel that Touya’s habit of trying to find his “goddess of the day” is a direct result of him seeing how miserable his father is being alone, and he tries anything to not be alone. I also feel that Touya really loves Yuki, but he fears being alone like his father so much that he’s willing to sleep with any woman rather than being by himself.

      Yuki’s problem is that she fears that she can’t change or progress, I think that she still sees herself as the same person she was back in high school, and Touya’s father didn’t help matters when he told Yuki that she’s still the same. For all of Yuki’s talk in the first season about changing herself she’s still just a little schoolgirl; she does what everybody expects and tells her what to do, and until Yuki does what she really wants to do for her own sake (whether it’s sleeping with Touya, or something else) she’ll still be the little girl that she feels she is.

      Now, to the two most interesting character in the whole series, Yayoi and  Eiji. Yayoi, where do I start? I think that Yayoi’s is beginning to actually enjoy her relationship with Touya, she’s having a lot more sex with Touya, and spending much more time with him than would really be necessary to keep him from wanting to jump Yuki’s bones, hell I actually thought I saw a smile on her face when she left his apartment. I think that Yayoi for all her dedication to her job is pretty lonely, and while she might think that sleeping with Touya is part of her job, some sex is when you’re lonely is better than being alone with no sex. Eiji, what a nut job, I can’t figure out if he’s the one stalking Yayoi and Touya or if it’s someone else, either way, he’s got major problems. The whole painting thing is a metaphor for his entire life, but in reverse. Eiji sees what he wants right before him but he can’t grab it, then he understands the pain of his inability to attempt to get any joy out of what he desires, he might want a better relationship with his sister, or he might want to sleep with Yayoi, or with Yuki, or with any number of other women but he’s too impotent to attempt any real relationships. So, I can see how Eiji just might be stalking Yayoi and Touya, or even Yuki an in attempt to get his gratification from watching others enjoy what he can’t.

      Mana’s unhappy because she’s lonely and has no real relationship with her mother, so she’s clinging to Haruka. Both Akira and Misaki seem unhappy with their current situation, Akira because the relationship isn’t moving to the next level, and Misaki because she’s feeling pressure from Akira (hey, Misaki, have you ever heard about the three date rule?). 

      I really feel sorry for Haruka, when I saw Haruka watching the sunrise on New Year’s morning, all the things surrounding the cottage seemed broken down and in disrepair, a perfect metaphor for her broken life after her brother’s death. Also, I found the whole Touya kissing Yuki as the Buddhists bells were tolling to wash away the previous years sins to be quite ironic. Touya had the perfect opportunity to turn over a new leaf and be faithful to Yuki, and what does he do? He goes right back to being unfaithful to her the very next day. Well, I can’t wait to see how this whole big steaming pile of unhappiness called White Album turns out.

      I know that at the end of the first season of White Album I said that I wouldn’t be covering the second season. Call me a glutton for punishment, or call me a sadomasochist, or call me stupid, but I just can’t help myself, so I’ll be punishing myself for the next twelve episodes of White Album.

the the white album OP

      The second season begins on Christmas Eve, at the local hospital, with Yayoi leaving Mana’s room after getting her admitted, and we also see that Touya, Misaki, Akira, and the Master (Franky) are there because Touya’s father has also been admitted.  When Touya sees Yayoi leaving Mana’s room the others try to stop him from going to her, but he just ignores them and walks towards her for a talk.

Yayoi tucking Mana inYayoi seeing TouyaTouya going to see Yayoi

      As Touya and Yayoi are talking, we see that Mana has gotten out of bed and is spying on them until she gets caught by Haruka. As Haruka is talking with her, Mana gets light headed and passes out again.

Haruka meeting Mana 

      The next morning we see that Rina’s and Yuki’s concert victory over the Sakura-dan group is all over the newspaper. Then we see that Yuki shows up at the hospital after being informed of the events by Yayoi, but Touya is at his father’s house getting some things.

Yuki made the newspaper 

      After Yuki is comforted by Misaki, a nurse says that he’s finally awakened and asks if they’re family members, and Misaki says yes. Yuki goes in and visits him where he tells her that she hasn’t changed at all, no; he tells her that she’s matured beautifully.  After they talk for awhile, Yuki tells Touya’s father that she loves Touya just the way he is, and then Yuki has to leave.

I love Touya the way he is 

     When Touya returns to the hospital he gets in an argument with his father because he let Yuki leave without seeing him, and Misaki calls him outside and chews him out about how he’s acting with his father.

Misaki is very pissed 

      Then we move over to the Sakura-dan manager’s office and we see that the missing singer (Menou) has been found. When they head over to her location she’s passed out from a night of drunken partying, and all she has to say is that the other girl probably got along fine without her. The manager (Mana’s mother) physically abuses the girl for her behavior and orders her locked out of her apartment and inside a storage closest until she repents her behavior.

Menou after a hard night partying

Damn, I wish I could have been there to party with her. 

think about what you did to the other girls

Kicking Menou ass

       Later, as Rina is waiting for Yuki to arrive for a meeting with Eiji she asks him if they won and he says that there are more important things to talk about, more important than me? Yes. When Yuki finally arrives, Eiji informs them that they won, and he feels that both Rina and Yuki improved, and it’s important to capitalize on their success next year. Eiji tells Yuki “Merry Christmas”, and you have the day off.

you have the day off 

      Then we see Eiji receiving his victory prize from the Sakura-dan’s manager, a painting of a young girl that kind of looks like Rina. He asks her if this is the first time she’s admitted defeat? She tells him that the game has just begun and she’ll win next time.

 the real fight begins now

      Later, we see that Haruka is looking after Mana at her house when her mother comes home and Mana’s mother says that if she had just listened to her this wouldn’t have happened.  As Haruka is leaving, Mana’s mother says that she’s glad that her daughter has such good friends like Haruka and Mana’s tutor. As Haruka is hanging out in the park Mana shows up saying that she feels better and her mother is gone for the day, so let’s hang out, it’s Christmas. Then we get a montage of what everyone is doing at the time; Haruka and Mana hanging out, Touya in his father’s hospital room, Menou getting a visit from another Sakura-dan member, and a flashback of a much younger Eiji seeing the painting for the first time.

Mana meeting Haruka at the park

Touya at his father's sideYuki trying to call TouyaMenou getting a visit

Eiji flashing back to the past

     Later, Yuki asks Yayoi if she’ll join her at Echoes for tea, but Yayoi says she has another engagement planned.  Then we see that when Yuki decides to visit the hospital again she sees that Yayoi’s car is already there and decides to turn back while inside the hospital Yayoi and Touya decided to use an vacant ward to have sex in, with Touya thinking that for just this night Yayoi can be Yuki’s replacement. Well, that’s all for this episode.

Yayoi getting more than Yuki

      OK, here we go, nothing’s really changed from season one, and I still don’t like most of the main characters; Mana’s still your lonely anti-social schoolgirl who’s screwed up because her mother is a bitch, Misaki shows a little backbone but jumps on Touya without knowing all the facts, Haruka’s is still lonely and messed up, and Touya and Yuki for being young adults still act like middle school students when it comes to how they feel about each other. So, why the hell I’m I still watching and blogging White Album II? Well, three reasons, and they’re named Rina, Eiji, and Yayoi.

      Like I wrote in reviews of season one, I think that the whole Touya/Yuki relationship problem/frustration/impasse could be solved in one episode if either of them acted like young adults instead of middle school kids. All Touya has to do is show up at Yuki’s apartment one evening, and tell her how he feels about her and then they can proceed to break her bed with a couple of hours of animal sex, or the problem could be solved if Yuki would have included a key to her apartment and condom inside her Christmas gift to Touya, problem solved, no more frustrated virgin.

      But, what really intrigues me about White Album is what drives Rina, Eiji, and Yayoi. Is Yayoi just having sex with Touya because she feels that it’s keeping him away from Yuki, or is she really a lonely person that thinks that having sex with Touya as a Yuki replacement is better than going home alone and having no sex at all?

      Rina, what drives her to feel that she needs some sort of approval from her brother? Rina, as an established pop star surely doesn’t still need him, and she could easily take care of her own affairs and career. Does Rina feel that the only way she can keep her relationship with her brother is to put up with his cold and distant moods? The new OP for White Album also raises some questions as the girl in the OP is the girl from the painting, but she also looks strikingly like Rina.

      To me, the most interesting character in the whole series is Eiji. We know from the first series that he really doesn’t have much interest in his sister, or her career because he told Touya that he considers her a completed project. Eiji also fawns over Yuki because he wants her to reach her full potential, but does Eiji really care about his charges or is it all just a game to him? Eiji’s reaction to the painting also raises some serious questions about Eiji and his real world relationships with women; does Eiji view women as a work of art that can bring tears to his eyes? But, does Eiji’s view of women as art make him unable to have a real life relationship with a real woman? Is Eiji’s driving desire to complete his women equal to the desire of a sculptor or painter to create the perfect art object? If so, does that mean he can never have a real relationship with a women because a real woman isn’t perfect, a real woman has flaws, desires, and needs.

Here’s one for Yuki and Touya if they ever can get to spend a night together.

“As Time Goes By, 1931, written by Herman Hupfeld”

You must remember this
A kiss is just a kiss, a sigh is just a sigh.
The fundamental things apply
As time goes by.

And when two lovers woo
They still say, “I love you.”
On that you can rely
No matter what the future brings
As time goes by.

Moonlight and love songs
Never out of date.
Hearts full of passion
Jealousy and hate.
Woman needs man
And man must have his mate
That no one can deny.

It’s still the same old story
A fight for love and glory
A case of do or die.
The world will always welcome lovers
As time goes by.

Oh yes, the world will always welcome lovers
As time goes by.


       This episode begins with all three sets of idols getting ready for their concert performances, Yuki’s seems a little nervous, Rina’s venue looks like a sellout, and the Sakura-dan group is missing one member (maybe Touya got to her). As Yuki is about to go on stage, Eiji tells her to forget about everything and just sing. Yuki’s concert seems to go over very well, Rina sings to a fully packed stadium, and the Sakura-dan also plays to a full house. As the concerts are going on we see Haruka sitting by herself, Mana shopping alone, and Misaki and Akira running out of gas. As Rina finishes her concert she rushes from the stadium to the other venue to put on another performance.





        After Yuki’s show is done she rushes off stage to cry in Yayoi’s arms. Later, Touya and Yayoi run into each other, and as Touya is about to ask Yayoi to give Yuki his gifts she tells him that Yuki wants to see him. When they meet, Yuki and Touya talk about her concert, and Yuki wonders why Haruka, Misaki, and Akira didn’t show for her concert even though she sent them tickets? Touya tells her that they were just being considerate of their feelings. Then Eiji tells Yuki that they have to leave as she’s giving Touya her x-mas gift, and she tells Touya to come with them. After Touya gives Yuki her gifts she tells him that the phone call ban is over and that she loves him. Touya is left standing there as Yuki and the crew drives off.




       After Yuki and her crew drives off, Eiji offers Touya a ride, later Eiji tells Touya that they won. He also talks to Touya about all his Yuki replacements, he tells Touya that Yuki will probably tolerate unfaithfulness on his part but she probably couldn’t tolerate herself being unfaithful. Eiji tells Touya that both he and Rina do battle with songs, they defeat them, and they make them their slaves. But, he says that Yuki is different, she like a song’s lover, sometimes she wins, and sometimes she loses, she gives off the illusion to the audience that she lives to sing. Eiji asks Touya want he wants to do? Just then, Yayoi pulls up and Eiji tells Touya that his ride is here.


        Then we see that Akira and Misaki have finally made it to a gas station, and they debate whether they should continue on to visit Touya’s father. Misaki tells Akira that she’s sorry, but she promised that she would visit him. When Yayoi drives Touya back to his apartment she tries to put the moves on him, but he stops her and tells her that she’s much too cold. When Touya gets to his door he finds Mana asleep by his door, and he bends down to wake her.



        When Touya wakes Mana, she tries to say that she went to visit a friend but that friend went out with her boyfriend, so she decided to visit him because he was close by and just dozed off. Touya invites her in to warm up, but Mana says she has to go and gives him the gift she wanted to give her friend. Touya notices that Mana looks really cold and a little sick so he insists that a girl with cold hands and cheeks has to come in to warm up. At that point, Mana starts to cry but blames it on the cold wind in her eyes.



        So, Mana agrees to come inside to warm up as long as Touya doesn’t try anything. While Mana is warming up and Touya is making her some food his doorbell rings. Yayoi is back saying that Touya left something, when she sees Mana, she touches her forehead and finds that she’s burning up. Mana asks if this is Yuki, and before he can tell her that she’s Yuki’s manager, Yayoi puts her in the car and drives off. Inside the car Mana asks if Yuki is older than Touya? Yayoi says she’s about the same age and gives Mana a not very nice look.




       Later, Haruka shows up at Touya’s door and he thanks her for the concert ticket. Just as Haruka’s about to say something to Touya she notices a umbrella by the door and food for two at the table. Touya tells Haruka that the weather is to bad for a walk and before he knows it Haruka has run off. Touya then puts two and two together and goes after Haruka but she’s already driven off on her bike. When Akira and Misaki get to Touya’s dad’s house there is no answer when Misaki rings the bell, she notices that the doors open and decides to go in. When Touya finally finds Harukahe asks her why she left so quickly. Haruka asks if the umbrella was Misaki’s? No, Mana-chan forgot it. Haruka asks what the hell was Mana doing at his place, but before he can answer her Akira pulls up in his car and tells Touya that somethings wrong with his father. Then we see Yuki trying to call Touya after she opens her gift, but there’s no answer at his place, and we also see that Yuki’s gift to Touya was a new phone/answering machine. Well, that’s all for this episode and the first season of White Album.




       Well, it’s finally come and gone, season one of White Album is over, and I can’t say it happened soon enough. While I felt that White album started strong and had potential, I feel that the series got bogged down with too much emo self-torture, unrealistic situations, and many of the main characters became just plain unlikeable.

      I think that the concept of a up and coming idol and her boyfriend struggling to keep their high school romance alive through the intervening years is some pretty good material to work with. But, I thought both Yuki’s and Touya’s problems were too silly to be believable, I never bought the whole concept that they could never find a spare hour to see each other and do the whole BF/GF thing.

      As the series began I thought that the supporting characters were interesting and intriguing, but as the series went on I felt that many of them became just plain unlikeable.

       Touya’s buddy Akira, after all the time Touya spent trying to get Akira to hook-up with Misaki you’d think that he’d be grateful when it finally happened, but no, he’s so jealous or paranoid  of  Touya that it almost boarders on a mental disorder. Plus, the way he talks to and treats Misaki he deserves to be promptly dumped by her.

      At first I really liked Misaki, I thought she was calm and refined with her head screwed on tight, but after watching her put up being treated like shit by the theater club’s president and Akira made me feel that she likes being a punching bag.

      I don’t like or dislike Mana or Haruka, both of them are typical of their character types. Mana’s your typical lonely anime schoolgirl. Mana acts tough and together, but she’s really deeply lonely because her parents are almost totaly absent from her life, out of all the girls she’s has the realistic reasons to fall for Touya. Haruka just a messed up and confused young woman, she probably can’t distinguish whether she thinks of Touya as her lost brother or she’s really attracted to him in a romantic way, she needs counseling.

     I also really admired how strong of a character Rina was at the start of the series, but as the series went on she became too indecisive and compromised for my tastes. At one point in the later episodes Rina basically knew the whole deal about what was going on between Touya and Yuki and she could have fixed the problem or at least limited the damage to their relationship by just telling Touya that Yuki really misses him and Yayoi never delivered Yuki’s letter, and she could have told Yuki that Touya really misses her. But, Rina chose to protect Yuki from finding out about Yayoi’s attempts to keep Touya from her, while this might have protected Yuki’s career it might have destroyed the relationship with the man she loves.

     The only character I would really like to see inside their mind is Yayoi. While I can understand her wanting to protect Yuki’s from being distracted by Touya I think that her relationship with him actually means something to her. At first, maybe, Yayoi thought of her sexual trysts with Touya were just part of her “job” but I think she needs him as much as he needed her. Yayoi never struck me as having much of a life after work so maybe her little trysts with Touya where actually filling a void in her life, like I said in a earlier review “the only bad sex is having no sex”. Plus, if Yayoi was only interested in keeping Touya away from Yuki she should heve been happy seeing Mana at Touya’s place but she seemed more concerned with getting the girl out his room then she seemed about Mana’s health, and the look Yayoi gave Mana was quite wicked where it was suggested that she was older.  

       Overall, I feel this series had potential but never used much of it, and I really never came to care for any of the characters so I’ll watch season 2 but I won’t be blogging it. White Album was worth the 25 minutes a week it took to watch it, but it was a hollow meal indeed.  


       This episode picks up with Rina questioning Touya about his relationship with Yayoi, how did it happen and so forth? Touya tells her it just sort of happened; what does it matter I’m just an obstacle to Yuki’s career? Rina tells him it’s too dangerous, and that Yayoi can’t love anyone but Yuki? Touya tells her that he’s sorry it happened this way, so Rina asks him for a date, but he says he’s already been asked.


         During Touya’s next shift at Echoes, Rina shows up to see Touya but he takes off with Yayoi leaving Rina alone with the master.  When they get to Touya’sapartment, Touya tells Yayoi that she can’t become Yuki’s replacement but she can become something else. Once inside his apartment Yayoi asks him what she can become? Touya embraces Yayoi from behind and he tells her she can become “the goddess of the day” as he maneuvers her on to his bed.



       The next day after a emotional workout session Touya enters a room to find Rina waiting for him. As he’s about to speak, Rina tells him to shut up and listen to Yuki’s words. Rina reads off Yuki’s undelivered letter to Touya from memory, the letter explains to Touya why Yuki didn’t tell him about the concert and why she’s avoided him, and the letter covers all of Yuki’s hopes and fears about her upcoming concert. After hearing Yuki’s words, Touya breaks down in tears, Rina tells him that she can’t stand to be near someone who causing her dear Yuki this much and fires him on the spot.


Then we get a little montage of Touya’s memories of Yuki.



      Later,  we see Touya making a call to Yuki, and he only gets her answering machine. When Yuki gets home she sees her machine flashing and she plays Touya’s message. He tells her he got her message from Rina, and that he’ll be at her concert no matter what, he also says sorry. Yuki wonders why he got her message from Rina, and she struggles with herself resisting the urge to be strong and not call Touya. Then we see Touya failing to find a concert ticket for Yuki’s show, and the next day Mana makes fun of him for not getting his ticket soon enough. Mana also insinuates that if Yuki really was his GF she would have sent him a ticket, or he should have gotten one from Rina, either way she thinks he needs a shrink.




       Later Haruka and Mana meet up and Mana tells Haruka what happened with Touya not having a concert ticket, in the middle of their conversation Haruka gets up and calls Yuki a idiot and rides off. Then Misaki calls Touya and she finds out about Yuki not sending Touya a ticket and she is confused by Yuki’s actions. Touya also refuses to go visit his father with Misaki during the holiday saying it’s better for the both of them this way. Later, we see Mana asking her mother for a favor, then we see Mana giving Touya a ticket to Yuki’s concert, plus she bought him a gift to give Yuki for her birthday.



      When Touya gets back to his apartment he finds that Misaki and Haruka have both left him tickets to Yuki’s concert, now he has three tickets to the main event. The next day we see Akira and Misaki walking down a path when the drama club’s president steps onto the path and he tells them that he’s tried to see Misaki so he can apologize to her but her “boyfriend” is always in the way. So, he begins to apologize to Misaki when he stabs her with one of her prop knives, then he rushes off. When Akira  kneels beside Misaki he finds out that she’s not really hurt because the poetry book that Touya returned to her has broken the knife blade, Akira is angry that Touya manages to save the day when he’s not even here.




       Then, on the night before Yuki’s concert, we see that Yayoi has shown up at Echoes to give Touya a “ride home”, he tells the master that it’s only a ride.  When they get to his apartment, Yayoi begins her usual seduction of  Touya, but he tells her this has to stop. She continues to touch and caress his body, she asks him if he’s fallen for her or if he loves her? He says no. Then why don’t you stop me? Touya says that he only loves Yuki. Yayoi begins to kiss him again and says that she can’t allow that to happen. The next day we see Touya entering the concert hall to see Yuki’s show. Well, that’s all for this episode.




        Well, with only one episode left to go in White Album’s first season almost everyone’s plans and schemes are revealed. Rina now knows about Touya’s sexual trysts with Yayoi, and she also now knows the the full extent of just how far Yayoi will go to protect Yuki’s concert debut. What I found interesting is that Rina gave Touya a chance to stop his affair with Yayoi, she warned him that Yayoi would never be able to love anyone. But when push came to shove, Rina chose to fire Touya instead of also confronting Yayoi about her part in the Touya/Yayoi affair, could it be that she realized if this became a battle her brother would side with Yayoi?

       In this episode Touya also finds out that Yayoi sat there and lied to his face whenever he brought up the issue of Yuki’s not trying to communicate with him, and he also knows that Yayoi threw out Yuki’s important letter. But, whats even more interesting is that even after knowing all of Yayoi’s lies Touya still chooses to continue their affair and have sex with her. Maybe, Touya is just a needy guy, a guy that has to have a woman around him even if he knows she’s lies to him and he’s nothing more than a peice of meat to her?

       I wonder how Yuki is going to deal with Yayoi now that she knows that her manager lied to her and never delivered her letter to Touya. I don’t think that Yuki’s reaction will be very pleasant when she finds out that everyone knew about Yayoi’s and Touya’s affair but her. But, like I’ve said in earlier reviews, Yuki has to take responsibility for quite abit of her relationship problems. Yuki shouldn’t have relied on a third party to communicate her feelings to her boyfriend, if she would have just given in to her desires and slept with Touyaso he wouldn’t be out there trying to nail every piece of warm girl flesh he runs across because he can’t figure out whether on not his GF cares about him.

       I think that the most interesting character in this whole series is still Yayoi. I really would like to know want she really thinks, even though she says she’s just doing her job I wonder if she really wishes that Touya would fall for her? Yayoi has always left me feeling that she’s a deeply lonely person, so I wonder if she would be happy becoming Yuki’s replacement for real, if it would make her happy knowing that her and Touya’s sexual relationship means something more that just sex. I actually think that Yayoi and Touya could make a believable couple, just imagine the lying, cheating, emotional monster they could give birth to, sweet. 


        This episode begins with Eiji laying out the rules for winning the game between the Sakura-dan group and them to Yayoi, Rina, and Yuki. Basically, they have to sell many more seats (a lot more) than the Sakura group to have a victory, to which Rina responds that she feels that she’s been tricked by her brother. After the meeting Rina confronts Yayoi about the torn up letter, did she do this, and why? Yayoi makes no bones about tearing up the letter saying that it’s her job to remove all obstacles to Yuki’s success. Rina says what about their feelings? Yayoi says she didn’t read the letter and asks if Rina herself has become emotionally involved? Rina says that she’ll do what she can for Yuki, and that for now Yuki needs Yayoi to succeed.


        Then Touya makes a stop at Echoes and asks the master to return the poetry book to Misaki and Akira, because he’s too busy to do it himself. Rina picks him up and they go to the stadium where she’ll be performing. As Rina is doing some preparation on the field, Touya starts thinking of Yuki doing her show. Then Rina goes back to the studio where she and her band works at perfecting her upcoming performance, and after practice Rina has Touya join her for dinner. Touya asks her if he did something wrong, he hasn’t gotten a single message from Yuki? Rina says that they’re in concert mode, and have to shut out all distractions. Touya tells Rina that he hasn’t done anything yet, but she tells him that this is his job.



      Then the scene switches to Yuki, she seems to be having problems with her nerves when she tries to think of herself in front of the concert crowd. We see Yuki holding a phone receiver with it’s cord cut while she’s trying to make a call (to Touya?), in a daydream. It’s seems that all this was occurring in Yuki’s mind while she was riding in Yayoi’s car. Then Yayoi’s phone rings, and she tells Yuki it was from the president, he’s picked out Yuki’s final song (but was the call really from Touya?). Yuki asks Yayoi if she gave Touya her letter, and Yayoi tells her not to worry, Yuki is very thankful.


      Later, at Mana’s house, she finds out that Touya is now Rina’s personal assistant. She asks Touya if it’s OK with Yuki’s concert coming up? He tells her is not about OK, or not OK, Yuki didn’t even tell him any info about the her concert. Mana then tells him to leave. Walking out the door, Touya sees than Haruka has shown up to meet with Mana, as Haruka rides her bike Mana jogs with her. Later, Mana and Haruka talk, Mana tells her that she should give up on the idea that Touya is her boyfriend, she keeps calling her Yuki. Mana tells her it was cute when he insisted that Yuki was his girlfriend, but claiming he works for Rina is too much. Haruka thanks her and then she properly introduces herself to Mana.




       Then we see Yayoi pick Touya up, and they talk about his job as Rina’s manager, he tells her that all he does is stand around and watch. He tells her that he overheard the band calling him Rina’s mascot or pet, and they think that Rina’s changed. Yayoi asks him if he knows why? No idea. He also talks about Mana and Haruka’s new friendship, and Masaki and Akira’s romance.  When Yayoi ask him if not going to talk about Yuki, and Touya breaks down in tears. As he’s crying about not knowing Yuki’s feelings, Yayoi leans over and licks his tears and begins to kiss him. The next morning we see that Touya is still in Yayoi’s car.



        During rehearsal, Rina suddenly stops singing and calls Yuki, she tells her she’s stuck. They talk for a while, Yuki asks if Touya has mentioned her and Rina tells her “no”, do you want me to get him? Then we see Rina waking Touya up, and she tells him it’s time to go home, and she asks him if he free for dinner in a few days? No, he already has plans. With Yuki? No, with Yayoi, Rina seems really shocked. Well, that’s all for this episode.




       After watching the first ten episodes of White Album I’ve become quite annoyed by most of the main characters and somewhat bored by the storyline. But, this episode kind of got me slightly interested in the plot once more. Like I’ve said in previous episode reviews, I really don’t like Yuki or Touya, they do more whining and pouting and anything else, but I’m quite fascinated by Yayoi’s and Rina’s motivations and actions.

        When I first observed Yayoi’s interactions with Touya I thought that she was only spending time with Touya to keep his horny ass away from the virginal Yuki. Then as time went on, I thought that maybe she was getting something out of fooling around with Touya because she really doesn’t seem to have much of a life outside of work. So, I figured that even though Touya is a loser, maybe Yayoi figured that sex with a loser is better than no sex at all. But, now I’m back to thinking that as soon as either Yuki or Touya decides to end their relationship then Yayoi says bye-bye to Touya and she’s back to her lonely lifestyle. But, Yayoi is playing a very dangerous game, if Yuki discovers that Yayoi never delivered her letter, or she’s banging her “boyfriend” then I think that Yayoi’s career as Yuki’s manager is over.

       Rina’s position in the mess is quite interesting and fraught with danger. I think that Rina is really trying to be a friend to Yuki but the whole Yuki/Yayoi/Touya triangle is a no-win situation for her. Rina knows that Yayoi is doing everything in her power to ruin Yuki’s and Touya’s relationship, she’s knows that Touya still cares about Yuki, and that Yuki still cares about Touya, so if she mentions the undelivered letter to either Touya or Yuki it could lead to Yuki finding out everything. Yuki is in such a shaky career and emotional position that the news could possibility destroy her career and personal life. I really don’t envy the position that Rina is in.

      Oh, in closing, Touya is a even bigger wimp than I first thought, the nerve of him to cry about his girlfriend in front the woman he’s cheating with, he doesn’t deserve any of the harem that surrounding his loser ass. 


      After Blogging so many depressing episodes of Clannad ~AS~, and White Album I’ve decided to do another Japanese idol/cute girl post. But, this time I’ve chosen to do a tie in with the White Album anime series. So, after searching my Japanese idols’ folder I think that I’ve found a girl that kind of looks like Mana from White Album, she’s has about the same body type & hair style, and she about the same age as Mana. (See below pics of Mana)


      Natsuki Okamoto (岡本奈月) was born on September 13, 1989 in Mie, Japan. Natsuki’s vital stats are Blood Type: O, Height: 155cm, B-75 W-56 H-78, Shoe size: 23cm. Natsuki’s hobbies are cooking, Youkyoku (Noh songs), and Noh dancing. The below pictures are from Natsuki’s first two photo books (age 14-15), so take a look at the following pictures and tell me if Natsuki’s hair was a little shorter does she look somewhat like Mana from White Album (that wimp Touya doesn’t deserve to be so lucky)?







      So, if Natsuki’s hair was a little shorter and worn as twin-tails, I think she’s look a little like Mana, and if not, she’s still very pleasing on the eyes. Enjoy.